Staatskapelle Dresden, Rudolf Mauersberger – Bach: Hohe Messe in h-Moll BWV 232 / Mass in B minor BWV 232 [2 SACDs] (1958/2021) [SACD / Berlin Classics x Tower Record – 0302062BC]

Staatskapelle Dresden, Rudolf Mauersberger - Bach: Hohe Messe in h-Moll BWV 232 / Mass in B minor BWV 232 [2 SACDs] (1958/2021)

Title: Staatskapelle Dresden, Rudolf Mauersberger – Bach: Hohe Messe in h-Moll BWV 232 / Mass in B minor BWV 232 [2 SACDs] (1958/2021)
Genre: Classical
Format: SACD ISO

The latest reissue of the fantastic 1958 stereo recording of the “Mass in B minor,” a masterpiece! On the 50th anniversary of Rudolf Mauersberger’s death, this is a new reissue from the original ETERNA analog tapes in the country of origin. World’s first SACD release! Mastered only in the analog domain and directly converted to DSD! The 13th SACD hybridization of the latest reissue project of ETERNA’s original analog tapes in Japan. A fantastic masterpiece that was not released in the West in the LP era: In 1958, famous singers from East and West Germany gathered in Dresden to form the Dresden Holy Cross Choir, which has a pre-Bach tradition, The best part of the recording is the chorus. The best listening is in the chorus, which prioritizes human warmth over transparent textural expression, with the large group of singers listening to each other’s parts and joining their hearts together to create a wellspring of harmony. The way in which Bach’s counterpoint writing is depicted in an extremely majestic manner is breathtaking. The stylistic unity and balance with the austere and subdued tone of the orchestra proves the excellent musicianship and solid technique of the conductor, and the singers include Adam from the Dresden Holy Cross Choir, three famous singers from the West, Stauder’s shining and beautiful voice, Wagner’s richly shaded voice, and Heflinger’s soft and gentle voice. Heflinger’s soft and gentle singing adds to the mix, making this a truly perfect recording. The first stereo recording also captures the full scale and flavor of the performance, making it a truly representative masterpiece of its time. This album has never been released in Japan even after the CD era; it was recorded between October and November 1958, and the original monaural LP was released the following year only in the former East German territories. The original monaural LP was released the following year only in the former East Germany, followed by a monaural reissue in 1963 and a stereo reissue in 1968, followed by a highlight version in 1969. The jacket design of this reissue is the same as the one used for the first monaural release in 1959 (the main visual of the stereo version is almost the same as the monaural version. The stereo version of the album is also unchanged, but the stereo indication is added to the lower right corner of the jacket.) The master tapes were flown from the label to Vienna-based mastering engineer Christoph Stickel’s studio for mastering in the analog domain, and then digitized separately to DSD for the SACD layer and PCM for the CD layer. The project was then digitized into a product. This project realized the ideal method of mastering as far as currently conceivable. The effect is remarkable: it is now possible to reproduce the quality left on the master tapes with extreme fidelity, and the mastering and direct DSD conversion in the analog domain only has even greater sonic benefits. The result is a performance that is so clear and resolved compared to the previous version that further appreciation of the performance can be expected. The manual also includes a photograph of the outer box of the original analog master tape used in this project.

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Münchner Bach-Orchester, Karl Richter – Bach: Johannes-Passion BWV 245 – St John Passion – Passio secundum Joannem [2 SACDs] (1964/2016) [SACD / Archiv Produktion – UCGA-9010/1]

Münchner Bach-Orchester, Karl Richter - Bach: Johannes-Passion BWV 245 - St John Passion - Passio secundum Joannem  [2 SACDs] (1964/2016)

Title: Münchner Bach-Orchester, Karl Richter – Bach: Johannes-Passion BWV 245 – St John Passion – Passio secundum Joannem [2 SACDs] (1964/2016)
Genre: Classical
Format: SACD ISO

[In commemoration of the 90th anniversary of Karl Richter’s birth, J.S. Bach’s immortal masterpieces are now available in SACD-SHM format. Like the “Matthew Passion,” the “John Passion,” which depicts the Passion of Christ, is filled with highlights such as the beauty of the chorus and the singing of Heflinger as the evangelist. Karl Richter’s eternal and definitive masterpiece, the collection of Bach’s four major religious works, is now available for the first time on SA-CD-SHM! DSD masters were newly created from the original analog masters at Emil Berliner Studios in Germany for this SACD-SHM release [using 2016 DSD masters produced at Emil Berliner Studios in Germany] [lyrics with bilingual translation].

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1 min read

Born – At The End Of The Day (2005) [SACD / Traverso Records – 900.0417.071]

Born - At The End Of The Day (2005)

Title: Born – At The End Of The Day (2005)
Genre: Pop Rock
Format: MCH SACD ISO + Hi-Res FLAC

Born Stuyven is a Dutch singer/songwriter, rock & roll style who made a name with his previous bands Thunderin’ Hearts & Enos. “At The End Of The Day” is his debut solo album. This sentimental rock & roll album contains a couple very strong songs.

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Friedrich Gulda – Bach: Das wohltemperierte Klavier [4 SACDs] (1972-1973/2020) [SACD / MPS x Tower Records – 0301659BC]

Friedrich Gulda - Bach: Das wohltemperierte Klavier [4 SACDs] (1972-1973/2020)

Title: Friedrich Gulda – Bach: Das wohltemperierte Klavier [4 SACDs] (1972-1973/2020)
Genre: Classical
Format: SACD ISO

90th anniversary of Gurda’s birth and 20th anniversary of his death, one of Gurda’s greatest masterpieces recorded on MPS from 1972 to the following year. The latest reissue reproduces a variety of touches and textures better than ever before! Mastered only in the analog domain and converted directly to DSD! New reissue from the original MPS analog tape in Japan. Excellent recording. World’s first SACD release! This is a masterpiece among masterpieces, session-recorded by MPS, a former West German jazz label, from 1972 to the following year. The brilliant technique and rare inspiration of Goulda, who was in his early 40s at the time of recording, have long reigned as the top historical recording of the “law of averages” played on the piano. They have been reissued many times since the LP era, but their sudden revival on the MPS label in 2015 on CD brought back their fresh, crisp tone and made a huge impact on fans and non-fans alike. This latest reissue is not only the first SACD, but it is also a permanent reissue with the original jacket design. The MPS label was sold to Polygram in 1983, and in the CD era was reissued on the PHILIPS label, but in 2014 it was transferred to the Edel Group, which owns Berlin Classics and other labels. Later, in June 2015, the aforementioned CD, reissued from the original analog master tapes stored at MPS, was released, and as you know it was quite controversial at the time. The CD is no longer available, but for this reissue, the original MPS analog master tapes were used, and the mastering was done by the famous engineer Christoph Stickel, just as we have done for the previous Berlin Classics releases. The mastering was done with the utmost care to preserve the best possible sound quality in the package, so you can enjoy Gulda’s performance with more precision and density than ever before. The piano tone has a heavy weight to it, and the sound is more natural and easier to listen to than ever before. The more you listen to this superb masterpiece, the more deeply you will appreciate it, and it has been beautifully revived in high sound quality. 

For this reissue, the master tapes were flown from the label to Vienna-based mastering engineer Christoph Stickel’s studio, mastered in the analog domain, and then digitized using separate systems for DSD for the SACD layer and PCM for the CD layer. The project was then digitized into a product. This project realized the ideal method of mastering as far as currently conceivable. The effect is remarkable: it is possible to reproduce the quality of the master tapes with extreme fidelity, and the mastering in the analog domain only and direct DSD conversion have further enhanced the sound quality. The manual also includes a photograph of the outer box of the original analog master tape used in this project. <Mastering engineer (including DSD conversion): Mr. Christoph Stickel – in Vienna. He was in charge of mastering the Munich Philharmonic Orchestra’s self-produced recordings as well as the ECM SACD project (2017~) for Tower’s Jazz project. SACD layer: Directly converted to DSD after mastering in the analog domain from a new analog master tape in the home country CD layer: Similarly mastered in the analog domain. CD layer: Similarly mastered in analog domain, digitized at 96kHz/24bit in high quality, then converted to 44.1kHz/16bit Each digital data is not transmitted, but flown in on an optical disc 

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3 min read

Anner Bylsma – Bach: Suites for Violoncello Solo, BWV1007-1012 [2 SACDs] (1992/2019) [SACD / Sony Classical – S2K 48047]

Anner Bylsma - Bach: Suites for Violoncello Solo, BWV1007-1012 [2 SACDs] (1992/2019)

Title: Anner Bylsma – Bach: Suites for Violoncello Solo, BWV1007-1012 [2 SACDs] (1992/2019)
Genre: Classical
Format: SACD ISO

Anner Bylsma, a cellist with a long history of baroque cello activity, passed away on July 25. He was 85 years old. Bilsma was born in February 1934 in The Hague, the Netherlands, and was one of the leaders of the Dutch antique music movement, along with Gustav Leonhardt (harpsichord) and France Brugghen (flute and recorder). In honor of Mr. Bilsma’s achievements, we are releasing his representative masterpiece of Bach on SACD hybrid. This is Bilsma’s second recording of Bach’s “Suite for Unaccompanied Cello” in its entirety. In 1979, Birsma recorded the complete works on baroque cello (SEON label), which was highly acclaimed worldwide, and in this new recording made in 1992, he uses a Stradivari called “Servais” made in 1701, the so-called “modern cello,” to present a new approach to this infinite This new recording, made in 1992, uses a Stradivari cello called the “Servais” (1701), or “modern cello,” to shed new light on this “cello bible” with its infinite possibilities. This is a bold challenge by Bylsma, who is always in pursuit of new possibilities.

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1 min read

Staatskapelle Dresden, Kurt Sanderling – Borodin: Symphony No. 2, In the Steppes of Central Asia – Franck: Symphony in D minor (2021) [SACD / Berlin Classics x Tower Record 0301777BC]

Staatskapelle Dresden, Kurt Sanderling - Borodin: Symphony No. 2, In the Steppes of Central Asia - Franck: Symphony in D minor (1960-1964/2021)

Title: Staatskapelle Dresden, Kurt Sanderling – Borodin: Symphony No. 2, In the Steppes of Central Asia – Franck: Symphony in D minor (1960-1964/2021)
Genre: Classical
Format: SACD ISO

A project for the 10th anniversary of Sanderling’s death. The “superb performance” recorded in 1960 has been revived in the present age. Including the famous Franck. The performance is reproduced in high sound quality. New reissue from the original ETERNA analog tape. World’s first SACD release! Mastered only in the analog domain and directly converted to DSD! The 11th SACD hybridization of the latest reissue project of ETERNA’s original analog tapes in Japan. It is also known as an excellent early stereo recording by ETERA. The thick sound from the beginning gives a dignified atmosphere similar to Kleiber’s, and this is one of the best recordings of this piece as well as the aforementioned Kleiber and the old PHILIPS Kondrashin & RCO live recording. Furthermore, the Sanderling recording is a session recording and was made by C. Streuben at the time, so there is no doubt that it is an exceptional recording that fulfills both performance and recording requirements. The recording also reminds me of the DECCA Martinon & LSO recording of the same period. The original analog master tape, which has been carefully preserved, is still in its original condition, and the freshness of the sound is astonishing. The sound image is solid, and the energetic sound that seems to respond to the tune of the piece comes right before your eyes, giving you a truly authentic performance. It is amazing to hear the Russian sound, which has been lost in modern times. You will now realize the Russian toughness and explosiveness, and the low center of gravity and high level of the German orchestra. (1/2) Tower Records (2021/02/19)

This coupling includes the two original Borodin pieces, plus Franck, also recorded in 1964 with SKD, and. In the past, Tchaikovsky’s Romeo and Juliet (recorded on 0301779, released at the same time), which was recorded at the same time, would have been standard in the CD era, but since the Franck floats, we have recombined them for this release, considering the time coupling of the CD layers. This Franck is another performance that beautifully reflects the SKD’s beautiful tone, and it is a masterful performance that highlights the fluidity of Sanderling’s playing, which is not blatantly obvious in the verses. Although not a showy performance, the high sound quality of this reissue allows the listener to appreciate the orchestra’s sound of the time even more. For this reissue, the master tapes were flown from the label to the studio of Christoph Stickel, a mastering engineer living in Vienna, where they were mastered in the analog domain, and then digitized by separate DSD for the SACD layer and PCM for the CD layer. The project was then digitized into a product. This project realized the ideal method of mastering as far as currently conceivable. The effect is remarkable: it is now possible to reproduce the quality left on the master tapes with extreme fidelity, and the mastering and direct DSD conversion in the analog domain only has even greater sonic benefits. The result is a performance that is so clear and resolved compared to its predecessor that further appreciation of the performance can be expected. The commentary also includes the original analog master tapes used in this project, as well as the following information

 

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3 min read

Various Artists – The Nordic Sound – 2L audiophile reference recordings (2009) [Blu-ray Audio / BDMV / 47.8 GB / 2L-RR1]

Album title: The Nordic Sound – 2L Audiophile Reference Recordings
Performer: Various Artists
Genre: Classical
Label: 2L (Lindberg Lyd)
Location: Norway
Release date: February 2009
Recording date: 2004-2008
Original source: Mastering in DXD (352.8kHz/24bit)
Quality: Blu-ray Audio
Duration: 01:20:34
Video: MPEG-4 AVC 15000 kbps / 1080p / 24 fps / 16:9 / High Profile 4.1
Audio#1: DTS-HD MA 5.1 / 192 kHz / 10904 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Audio#2: LPCM 2.0 / 192 kHz / 9216 kbps / 24-bit
Audio#3: LPCM 5.1 / 192 kHz / 27648 kbps / 24-bit
Audio#4: LPCM 2.0 / 48 kHz / 1536 kbps / 16-bit

From combined musical and audiophile criteria we have compiled a collection of the most excellent and impressive recordings 2L (Lindberg Lyd) have to offer. Most tracks originate from DXD (352.8kHz/24bit), presented now in 192kHz on the Blu-ray and DSD on the SACD. This two-disc set contains both a Pure Audio Blu-ray and a hybrid SACD featuring the exact same music.
Two of the albums presented in this compilation is nominated for the GRAMMY Award “Best Surround Sound Album”. Discover what the unique Nordic Sound is all about!

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Jan Gunnar Hoff – Stories (2016) [Blu-ray Audio / BDMV / 19.95 GB / 2L-131]

Genre: Classical
Label: 2L (Lindberg Lyd)
Location: Sofienberg Church, Norway
Release date: December 2016
Recording date: August 2016
Original Quality: Mastering in DXD (352.8kHz/24bit)
Quality: Blu-ray Audio
Duration: 00:57:03
Video: MPEG-4 AVC 950 kbps / 1080i / 29,970 fps / 16:9 / High Profile 4.1
Audio
Music: LPCM 2.0 (192kHz, 24-bit)
Music: DTS-HD Master Audio 5.1 (192kHz, 24-bit)
Music: Auro-3D
Music: Dolby Atmos
Note: Auro-3D 9.1 (96kHz/24bit), Dolby Atmos 9.1 (48kHz/24bit)
Size: 19.95 GB

“Music for me, as pianist and composer, is a quest for depth and a quest to find a bridge between my emotions and the piano. When I begin I am uncertain about where the journey will take me and how it will end. It is important that compositions and improvisations constitute a natural whole. And classic songs like “God Only Knows” are stories and they must be told in a personal manner. Putting it all together in an album is exciting and rewarding.” – Jan Gunnar Hoff

STORIES is Jan Gunnar Hoff’s third solo piano album on the 2L label and is a sequel to his critically acclaimed album LIVING from 2013. On the new release Hoff stretches his creative abilities, presenting contrasting compositions and improvisations, in a distinctly personal mixture. Some of the pieces are meditative and expressive, while others have a strong rhythmic vibe. Stories also displays Hoff as an arranger, presenting versions of classics like “God Only Knows” and the traditional Swedish folk song “Värmlandsvisan”.

Immersive Audio is a sonic sculpture that you can literally move around and relate to spatially; surrounded by music you can move about in the aural space and choose angles, vantage points and positions. Dolby Atmos and the Auro-3D on this Pure Audio Blu-ray delivers a new standard in immersion, fully enveloping the audience in a cocoon of life-like audio. Recorded in discrete 11.1 at DXD resolution.

“For meg som pianist og komponist er musikk en søken etter dybde og å finne en bro mellom følelser og instrument. Jeg prøver å fange et øyeblikk eller synke inn i en stemning og deretter bruke de virkemidlene jeg har for å formidle historien. Jeg velger å følge et personlig spor istedenfor å tilpasse meg et stilisert format eller låse meg i en klart definert genre. Dermed vet jeg ikke alltid hvor ferden går eller hvor vi ender til slutt. Det er noe av det som gjør det spennende å jobbe med musikk og med en utgivelse som Stories.” – Jan Gunnar Hoff

STORIES er Jan Gunnar Hoffs tredje solo pianoalbum for 2L og en oppfølger til den kritikerroste LIVING fra 2013. Stories er i likhet med tidligere album influert av klassisk, jazz og populærmusikk og tar konseptet videre i en friere og mere innholdsrik musikalsk palette. Stories viser Hoff som pianolyriker og låtskriver men platen inneholder også kontrasterende rytmiske stykker og versjoner av klassikere som “Värmlandsvisan” og “God Only Knows”.

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3 min read

TrondheimSolistene – REFLECTIONS (2016) [Blu-ray Audio / BDMV / 33.63 GB / 2L-125]

Сomposer: Kjell Mørk Karlsen, Trygve Madsen, Kjell Flem
Album title: Organism
Performer: Terje Winge, organ
Genre: Classical
Label: 2L (Lindberg Lyd)
Location: Ålesund Church, Norway
Release date: May 2016
Recording date: April 2015
Original Quality: Mastering in DXD (352.8kHz/24bit)
Quality: Blu-ray Audio
Length: 01:09:22
Video: MPEG-4 AVC 950 kbps / 1080i / 29,970 fps / 16:9 / High Profile 4.1
Audio#1: DTS-HD MA 5.1 / 192 kHz / 11270 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Audio#2: LPCM 2.0 / 192 kHz / 9216 kbps / 24-bit
Audio#3: Dolby Atmos (TrueHD) 7.1 / 48 kHz / 4999 kbps / 24-bit (AC3 Embedded: 5.1-EX / 48 kHz / 640 kbps)
Audio#4: Auro-3D 9.1 / 96 kHz / 6755 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Size: 22.04 GB

Сomposer: Benjamin Britten (1913–1976), Ralph Vaughan Williams (1872–1958), Igor Stravinsky (1882–1971)
Album title: Reflections
Performer: TrondheimSolistene; Øyvind Gimse, artistic director; Geir Inge Lotsberg, guest leader
Genre: Classical
Label: 2L (Lindberg Lyd)
Location: Selbu Church, Norway
Release date: May 2016
Recording date: June and August 2015
Original Quality: Mastering in DXD (352.8kHz/24bit)
Quality: Blu-ray Audio
Length: 01:10:18 + 00:25:36
Vidieo: MPEG-4 AVC 950 kbps / 1080i / 29,970 fps / 16:9 / High Profile 4.1
Audio#1: DTS-HD MA 5.1 / 192 kHz / 11444 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Audio#2: LPCM 2.0 / 192 kHz / 9216 kbps / 24-bit
Audio#3: Dolby Atmos (TrueHD) 7.1 / 48 kHz / 5703 kbps / 24-bit (AC3 Embedded: 5.1-EX / 48 kHz / 640 kbps)
Audio#3: Auro-3D 9.1 / 96 kHz / 7055 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Size: 33.63 GB

Composers reflect their contemporary world, and today’s performers mirror ourtime. The three works on this album all have a high degree of intensity and a strong personal character, as tributes, visions, fantasies, interpretations. As musical reflections they have these qualities in common, but at the same time they are very different works composed by three distinct musical personalities. Passion. Perfection. Raw intensity. With these fundamentals, the chamber orchestra TrondheimSolistene is carving out its own musical images in immersive audio.

Benjamin Britten: Variations on a Theme of Frank Bridge
Ralph Vaughan Williams: Fantasia on a Theme by Thomas Tallis
Igor Stravinsky: Apollon Musagète

Immersive Audio is a sonic sculpture that you can literally move around and relate to spatially; surrounded by music you can move about in the aural space and choose angles, vantage points and positions. Dolby Atmos and the Auro-3D on this Pure Audio Blu-ray delivers a new standard in immersion, fully enveloping the audience in a cocoon of life-like audio. Recorded in discrete 12.1 at DXD resolution.

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2 min read