Ensemble 96 – KIND (2010) [Blu-ray Video / BDMV / 8.45 GB / 2L-076-SABD]

Album title: KIND
Performer: Ensemble 96; Kjetil Almenning, conductor; Nidaros String Quartet
Genre: Classical, folk
Label: 2L (Lindberg Lyd)
Location: Uranienborg Church, Norway
Release date:  November 2010
Recording date: January 2010
Original source: Mastering in DXD (352.8kHz/24bit)
Quality: Blu-ray Audio
Duration: 00:44:46
Video: MPEG-4 AVC 4000 kbps / 1080i / 29,970 fps / 16:9 / High Profile 4.1
Audio#1: DTS-HD MA 5.0 / 192 kHz / 12285 kbps / 24-bit (DTS Core: 5.0 / 48 kHz / 1509 kbps / 24-bit)
Audio#2: LPCM 2.0 / 192 kHz / 9216 kbps / 24-bit
Size: 8,45 GB

A collection of traditional and modern choral pieces from Norway performed by Grammy nominated Ensemble 96.

The word KIND embraces concepts of childlikeness and childishness in different languages, as well as suggesting friendliness and consolation. The project’s subtitle was “about children, for adults”. In keeping with Ensemble 96’s main focus, KIND presents modern Norwegian and Nordic choral music. Per Nørgård and Jaakko Mäntyjärvi are already considered classics by a rapidly increasing audience, while Marcus Paus represents a younger generation of Norwegian composers with a growing interest in the choral medium. The more recent works on the disc set texts all of which have a certain melancholy, fear or unrest linked to childhood. The folk songs are a brave attempt to offer consolation in a remorseless world.

The Finnish composer Jaakko Mäntyjärvi first wrote the music to “Die Stimme des Kindes” without words. After some time he came across Nikolaus Lenau’s poem in which Mäntyjärvi found moods and textures that corresponded with his own ideas. The piece sounds like an idyllic lullaby, yet it is also melancholic and dramatic. An uneasy adult finds consolation in the innocent sleep and gentle smile of a child.

Like many other artists the Danish composer Per Nørgård found inspiration in the work of the schizophrenic writer Adolf Wölfli whose life and works are a magnificent testimony to human spiritual life. Combined with Rainer Maria Rilke’s poem about spring the three movements of “Wie ein Kind” present a powerful encounter with childhood memories. Some of them are pleasant to recall, others less so.

There is surprisingly little music for choir and string quartet. Ensemble 96 therefore decided to commission Marcus Paus to write a work for that particular constellation. In “The Stolen Child” the Norwegian composer has created a fairytale using simple, yet at the same time complex, means. Through its playful interaction with Yeats’ poem the work takes us far afield to where the fairies lure the little child away from all the world’s grief.

Frank Havrøy has arranged several traditional Norwegian lullabies for choir. These timeless folk songs speak directly to us, and Havrøy’s elegant arrangements give them an extra dimension.

Ensemble 96 is regarded one of the top chamber choirs in the world. Their Immortal NYSTEDT was nominated for the 49th American GRAMMY Awards as “Best Choral Performance” and “Best Surround Sound Album” in 2006.

2l.no – 2L-076-SABD

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3 min read

Nordic Voices, Berit Opheim Versto – Lasse Thoresen: Himmelkvad (2012) [Blu-ray Video / BDMV / 12.9 GB / 2L-075-SABD]

Album title: Himmelkvad
Composer: Lasse Thoresen (b.1949)
Performer: Nordic Voices, Berit Opheim Versto
Genre: Classical, Choral
Label: 2L (Lindberg Lyd)
Location: Sofienberg Church, Norway
Release date: February 2012
Recording date: June and October 2010
Original source: Mastering in DXD (352.8kHz/24bit)
Quality: Blu-ray Audio
Duration: 01:12:49
Video: MPEG-4 AVC 3000 kbps / 1080i / 29,970 fps / 16:9 / High Profile 4.1
Audio#1: Norwegian DTS-HD MA 5.0 / 192 kHz / 11597 kbps / 24-bit (DTS Core: 5.0 / 48 kHz / 1509 kbps / 24-bit)
Audio#2: Norwegian LPCM 2.0 / 192 kHz / 9216 kbps / 24-bit
Size: 12,9 GB

The Nordic Council Music Prize 2010 was awarded to the Norwegian composer Lasse Thoresen. His “Opus 42” represents a true renewal of Nordic vocal music. This strikingly beautiful piece reveals the common denominators in ancient and ultra-modern sounds, drawing our attention to the similarities between Scandinavian folk traditions and the music we might find in, say, the Middle East or India. Lasse Thoresen not only uses folk sounds to spice up art music, he also integrates its finely tuned microtonality, spectral overtones, harmonies and rhythms into the contemporary, modernist project in a truly pioneering manner. A project like this depends upon close collaboration with skilled musicians who are willing to take risks. Thoresen found them in the vocal ensemble Nordic Voices and folk singer Berit Opheim Versto.

Artistic creativity, versatility and technical precision are the main elements that make up NORDIC VOICES. The six-voice a cappella group was formed in 1996 and comprises graduates from the Norwegian Academy of Music and the Norwegian Academy of Opera, who, in addition to their singing backgrounds, have a broad range of experience from choral conducting to teacher training and composition. It is perhaps this range of interests that leads them to explore a wider than usual spectrum of musical expression, from plainchant to new works commissioned from leading Norwegian composers; from the most sacred of religious texts to the definitely profane. Nordic Voices  are an unusual blend of sophisticated music-making and stylish performance, more often than not with more than a dash of humour.

2l.no – 2L-075-SABD

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2 min read

TRONDHEIMSOLISTENE – in folk style (2010) [Blu-ray Audio / BDMV / 14 GB / 2L-068-SABD]

Album title: TrondheimSolistene – In Folk Style
Composer: Edvard Grieg (1843-1907), Emilia Amper (1981-), Gjermund Larsen (1981-)
Performer: TrondheimSolistene; Emilia Amper, nyckelharpa;  Gjermund Larsen, fiddle; Øyvind Gimse, artistic director; Geir Inge Lotsberg, leader
Genre: Classical
Label: 2L (Lindberg Lyd)
Location: Selbu Church, Norway
Release date: May 2010
Recording date: September 2009
Original source: Mastering in DXD (352.8kHz/24bit)
Quality: Blu-ray Audio
Duration: 00:58:02
Video: MPEG-4 AVC 1000 kbps / 1080i / 29,970 fps / 16:9 / High Profile 4.1
Audio#1: DTS-HD MA 7.1 / 96 kHz / 9015 kbps / 24-bit (DTS Core: 5.1-ES / 48 kHz / 1509 kbps / 24-bit)
Audio#2: DTS-HD MA 5.1 / 192 kHz / 13344 kbps / 24-bit (DTS Core: 6.1 / 48 kHz / 1509 kbps / 24-bit)
Audio#3: LPCM 2.0 / 192 kHz / 9216 kbps / 24-bit
Size: 14 GB

In Nordic Melodies we find Grieg in passionate play with folk songs. The work sparkles with harmonies and expression, developing a whole story from just a few short stanzas. The Holberg Suite, loved for its beauty and feared for its challenges, is a fusion of European musical tradition and a genuine Norwegian sound palette. The Trondheim Soloists follow up with two brilliant soloists, Emilia Amper on nyckelharpa and Gjermund Larsen on fiddle, in newly commissioned music characterized by the same energy and tenderness. Wild nature and Nordic light are essential elements of the folk style. This lies at the core of the Trondheim Soloist’s soul, a meeting between the musical playfulness and passion.

The Trondheim Soloists are regarded one of the top chamber orchestras in the world. Their DIVERTIMENTI was also nominated for the 51st GRAMMY Awards as “Best Small Ensemble”, “Best Engineered Album” and “Best Surround Sound Album” in 2008. Now IN FOLK STYLE sets a new standard for the performance of Edvard Grieg’s “Suite From Holberg’s Time” with the intense musical details revealed in this most spectacular surround sound recording ever made.

2l.no – 2L-068-SABD

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2 min read

Annar Follesø, Norwegian Radio Orchestra; Ole Kristian Ruud – Ole Bull: Violin Concertos (2010) [Blu-ray Audio / BDMV / 16.3 GB / 2L-067-SABD]

Album title: OLE BULL – Violin Concertos
Composer: Ole Bull (1810-1880)
Performer: Annar Follesø, violin; Norwegian Radio Orchestra; Ole Kristian Ruud, conductor
Genre: Classical
Label: 2L (Lindberg Lyd)
Location: Jar Church, Norway
Release date: March 2010
Recording date: June 2009
Original source: Mastering in DXD (352.8kHz/24bit)
Quality: Blu-ray Audio
Duration: 1:10:04
Video: MPEG-4 AVC 1000 kbps / 1080i / 29,970 fps / 16:9 / High Profile 4.1
Audio#1: DTS-HD MA 7.1 / 96 kHz / 8323 kbps / 24-bit (DTS Core: 5.1-ES / 48 kHz / 1509 kbps / 24-bit)
Audio#2: DTS-HD MA 5.1 / 192 kHz / 12842 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Audio#3: LPCM 2.0 / 192 kHz / 9216 kbps / 24-bit
Size: 16,3 GB

Ole Bull (1810-1880) was an adventurer, violin virtuoso, composer and international star who brought the name of Norway to worldwide attention. Within music and drama he was a pioneer in the development of a national identity, and on the concert stage his fabulous playing skills and intense charisma early won him the sobriquet “the Scandinavian Paganini”.

Some of his most attractive tunes, as well as the rural potpourri Et Sæterbesøghave remained part of Norway’s cultural heritage; on this recording they can be heard alongside his two virtuosic violin concertos and the fiery Spanish fantasiaLa Verbena de San Juan. The concertos and the fantasia were rediscovered only a few years ago, and this is the first recording ever made of these attractive works. The A major Concerto was written in Italy in 1834 and boasts everything one could ever dream of when it comes to attractive tunes and giddy virtuosity. No. 2, Concerto Fantastico, lives indisputably up to its name and confirms what Franz Liszt wrote in 1840: “He is a sort of savage’s genius, possessing an abundance of original, enchanting ideas. In brief, he has moved me; it is a long time since that has happened to me.”

2l.no – 2L-067-SABD

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2 min read

Andrea Bocelli, London Symphony Orchestra, Lorin Maazel – Sentimento (2002) [SACD / Philips Classics – 470 620-2]

Andrea Bocelli, London Symphony Orchestra, Lorin Maazel - Sentimento (2002)

Title: Andrea Bocelli, London Symphony Orchestra, Lorin Maazel – Sentimento (2002)
Genre: Classical
Format: MCH SACD ISO + DSF DSD64 + Hi-Res FLAC

Though Andrea Bocelli kicks off SENTIMENTO with a 20th Century piece, the stately setting of Rodrigo’s “En Aranjuez con tu amor,” the balance of the album wisely focuses on one of the renowned vocalist’s greatest strengths, the Romantic period, as Rodrigo quickly gives way to the more sprightly feel of Leoncavallo’s “Mattinata.” After moving arrestingly through similar fare, Bocelli bookends things nicely by closing with a pair of canzonas from Tosti; the passionate, poignant “‘A vucchella” and the quietly elegant “Vorrei morire,” followed immediately by Donaudy’s “Vaghissima sembianza,” which ends things on a fulsome, appropriately romantic (with a small “r”) note. Throughout SENTIMENTO, the sympathetic accompaniment of the London Symphony Orchestra, masterfully conducted by Lorin Maazel, provides the perfect instrumental setting for Bocelli’s evocative voice.

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1 min read

Andrea Bocelli – Andrea (2004) [Special Edition] [SACD / Philips Classics – 9867972 ]

Andrea Bocelli - Andrea (2004) [Special Edition]

Title: Andrea Bocelli – Andrea (2004) [Special Edition]
Genre: Classical, Vocal
Format: MCH SACD ISO + DSF DSD64 + Hi-Res FLAC

Andrea (2004), Andrea Bocelli’s tenth studio album and fifth pop release, topped the Dutch Albums Top 100, charted for 33 weeks, and earned gold certification. As the world’s leading crossover artist, Bocelli balances classical and pop audiences with skillful artistry. The album reflects a more hands-on approach by Bocelli in its conception and production. “Sin Tu Amor” blends his voice with the Gipsy Kings’ Iberian folk-pop, creating a rich fusion. “Where Love Goes,” a duet with 11-year-old Holly Stell from The Lazarus Child, exudes liturgical grace. “Tu Ci Sei” echoes the romanticism of “Con Te Partirò,” maintaining Bocelli’s signature style. The single “Dell’Amore Non Si Sa,” arranged by Mauro Malavasi (Romanza, Sogno), is a dramatic showcase of Bocelli’s vocal power. The SACD format enhances the album’s lush orchestrations and Bocelli’s emotive delivery. Bocelli’s taste and vocal prowess elevate the crossover genre, redeeming its reputation. Andrea expands his international appeal, solidifying his status as a global musical icon.

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2 min read

Anatole Fistoulari, Paris Conservatoire Orchestra – Ballet Music From The Opera (1960) [APO 2017] [SACD / Analogue Productions – CAPC 2400 SA]

Anatole Fistoulari, Paris Conservatoire Orchestra - Ballet Music From The Opera (1960) [APO 2017]

Title: Anatole Fistoulari, Paris Conservatoire Orchestra – Ballet Music From The Opera (1960) [APO 2017]
Genre: Classical
Format: SACD ISO + Hi-Res FLAC

Anatole Fistoulari was always a specialist in the interpretation of ballet music. He was also, a noted conductor of Tchaikovsky and the Russian School, as well as romantic and impressionistic French music. This album, originally released in 1960, features selections from William Tell, Khovantchina, Aida, and Samson and Delilah, performed by the Paris Conservatoire Orchestra conducted by Fistoulari. Recorded by renowned Decca audio master Kenneth Wilkinson, it shares most of that disc’s electrifying sound. Very lively midrange with superbly coherent staging, top rank clarity and deep, powerful and well-defined bass.

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1 min read

Anastasia Lyutova & The Band – Some Like It Jazz (2019) [Japan] [SACD / Venus Records – VHGD-344]

Anastasia Lyutova & The Band - Some Like It Jazz (2019) [Japan]

Title: Anastasia Lyutova & The Band – Some Like It Jazz (2019) [Japan]
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

Young Russian jazz vocalist Anastasia Lyutova and her band of wonderful musicians including Sergey Baulin (tenor sax), Alexey Podymkin (piano), Vladimir Koltsov-Krutov (double bass) and Alexey Bekker (drums), perfom a set of jazz standards.

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1 min read

Ana Caram – Rio After Dark (1989) [Reissue 2002] [SACD / Chesky Records – SACD241]

Ana Caram - Rio After Dark (1989) [Reissue 2002]

Title: Ana Caram – Rio After Dark (1989) [Reissue 2002]
Genre: Jazz
Format: MCH SACD ISO + Hi-Res FLAC

Ana Caram, a São Paulo-born composer, vocalist, and guitarist, is known for her delicate, vibrato-less soprano and versatile delivery, excelling in both melodic ballads and lively sambas. Her debut U.S. album, Rio After Dark (1989, Chesky Records), evokes the timeless sound of 1962 bossa nova, as if untouched since “Desafinado.” A protégé of Antonio Carlos Jobim, Caram skillfully applies bossa nova styling to contemporary songs like Djavan’s works and Carole King’s “You’ve Got a Friend.” Her slightly off-pitch vocals, typical of seductive Brazilian singers, add charm, complemented by her João Gilberto-inspired guitar rhythms. Caram contributes original tracks like “Renovação” and “Rainbow,” rooted in classic bossa nova. Jobim guests on piano and vocals for “Meditation” and “Anos Dourados,” with his groans captured in Chesky’s meticulous recording. Paquito D’Rivera’s clarinet shines on “O Que Vier Eu Traço,” and his alto sax, echoing Stan Getz, elevates “La Cumbia.” Steve Sacks’ alto flute and subtle percussion by Carlos Alberto de Oliveira and Café enhance the album’s spare, low-key texture. The SACD’s high-fidelity production appeals to purist bossa nova fans, offering a pristine listening experience. Rio After Dark showcases Caram’s artistry, blending tradition with fresh interpretations, making it a standout in the genre.

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2 min read

Ana Caram – Hollywood Rio (2004) [SACD / Chesky Records – SACD284]

Ana Caram - Hollywood Rio (2004)

Title: Ana Caram – Hollywood Rio (2004)
Genre: Jazz
Format: MCH SACD ISO + Hi-Res FLAC

A superior Brazilian jazz singer, Ana Caram takes a slight detour on this SACD, stretching her repertoire while mostly still performing in a style influenced by bossa nova. One does not get to hear such songs as “I’m Getting Sentimental Over You,” “Raindrops Keep Falling On My Head,” “Smile,” and “As Time Goes By” in a bossa nova setting that often. Also unusual is that Michel Freidenson plays all of the instruments other than the reeds (which are performed by Lawrence Feldman), and most of his electronic instruments sound real enough not to be an issue. The focus throughout is on Caram’s lovely voice and she excels on this material, showing that it really is not what you sing but how you sing it. Recommended.

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1 min read