Bad Company – Live At Red Rock (2018) [Blu-ray Video / BDMV / 22.04 GB]

Production/Label: BMG/Arista
Duration: 01:13:40
Quality: Blu-ray
Container: BDMV
Video codec: H.264
Audio codec: PCM,DTS-HD
Video: MPEG-4 AVC 32930 kbps / 1920*1080p / 23.976 fps / 16:9 / High Profile 4.1
Audio #1: English DTS-HD MA 5.1 / 48 kHz / 5122 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Audio #2: English LPCM 2.0 / 48 kHz / 2304 kbps / 24-bit
Size: 22,04 GB

Taped May 15, 2016 at Red Rocks Amphitheater In Colorado, The Legendary Classic Rock Band delivers it’s biggest hits. Formed in 1973, the British hard rock outfit Bad Company was a supergroup comprised of ex-King Crimson bassist Boz Burrell, former Mott the Hoople guitarist Mick Ralphs, and singer Paul Rodgers and drummer Simon Kirke, both previous members of Free. Powered by Rodgers’ muscular vocals and Ralphs’ blues-based guitar work, Bad Company was the first group signed to Led Zeppelin’s Swan Song vanity label. Bad Company’s eponymous 1974 debut was an international hit, topping the U.S. album charts and scoring with the #1 single “Can’t Get Enough of Your Love.”

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Bad Company – Live At Wembley (2011) [Blu-ray Video / BDMV / 21.81 GB]

Title: Bad Company – Live At Wembley
Release Date: 2011
Genre: Classic Rock, Hard Rock

Production/Label: Eagle Rock Entertainment
Duration: 01:30:01
Quality: Blu-ray
Container: BDMV
Video codec: H.264
Audio codec: PCM, DTS-HD, AC3
Video: MPEG-4 AVC Video / 21101 kbps / 1080i / 29.970 fps / 16:9 /
Audio #1: DTS-HD Master Audio / 5.1 / 48 kHz / 2973 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)
Audio #2: Dolby Digital Audio / 5.1 / 48 kHz / 448 kbps / DN -4dB
Audio #3: LPCM Audio / 2.0 / 48 kHz / 1536 kbps / 16-bit
Subtitles: English, French, German, Spanish
Size: 21,81 GB

Recorded live at the prestigious Wembley Arena in London in 2010, these celebrated musicians are at the top of their game, playing their beloved songs as hard as ever in front of a packed and enthusiastic crowd. Founding members vocalist Paul Rodgers, lead guitarist Mick Ralphs and drummer Simon Kirke (bassist Boz Burrell died in 2006) are supplemented by guitarist Howard Leese and bassist Lynn Sorensen.

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Astrud Gilberto – The Astrud Gilberto Album (1965) [Japanese Limited SHM-SACD 2011] [SACD / Verve Records – UCGU-9022]

Astrud Gilberto - The Astrud Gilberto Album (1965) [Japanese Limited SHM-SACD 2011]

Title: Astrud Gilberto – The Astrud Gilberto Album (1965) [Japanese Limited SHM-SACD 2011]
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

Astrud Gilberto, a Brazilian samba and bossa nova singer and former wife of João Gilberto, emerged as an accidental star when her limited English led to her iconic performance of “The Girl from Ipanema” with Stan Getz and João on the Getz/Gilberto album. Despite her fragile, amateurish vocal style, her debut solo LP, The Astrud Gilberto Album, released in 1965, rivals its predecessor, leveraging her sweet voice and a stellar Brazilian repertoire suited to delicate vocalists. Arranger Marty Paich’s radiant string arrangements, paired with lead instruments like Bud Shank’s flute, João Donato’s piano, and Antonio Carlos Jobim’s guitar, perfectly complement Gilberto’s vocals on tracks like the sentimental “Dindi” and playful “Agua de Beber.” With intelligent musicians playing to her strengths, this splendid album solidifies her role as a key figure in the bossa nova movement.

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Astor Piazzolla – The Rough Dancer And The Cyclical Night (Tango Apasionado) [1987] {Japan 2009} [SACD / American Clavé – ewsac 1019]

Astor Piazzolla - The Rough Dancer And The Cyclical Night (Tango Apasionado) [1987] {Japan 2009}

Title: Astor Piazzolla – The Rough Dancer And The Cyclical Night (Tango Apasionado) [1987] {Japan 2009}
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

Following the acclaimed 1986 album Tango: Zero Hour, Ástor Piazzolla’s Rough Dancer and the Cyclical Night, recorded with his Quinteto Nueva Tango, including pianist Pablo Zinger and violinist Fernando Suarez Paz, features guest artists Andy Gonzalez on bass and Latin jazz alto saxophonist Paquito d’Rivera. Piazzolla’s passionate, complex bandoneon solos dominate, set against producer Kip Hanrahan’s spacious soundscape, with a smoother, more whimsical feel compared to the intense tempo and mood shifts of Zero Hour. Created for the musical Tango Apasionado, which traces tango’s evolution from Buenos Aires origins to the modern era, this album blends nuevo tango’s jazz and classical influences with a refined touch. A must-have for Piazzolla fans and tango enthusiasts, it stands alongside Tango: Zero Hour as a pinnacle of his innovative legacy.

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Astor Piazzolla – Tango: Zero Hour (1986) [Japan 2010] [SACD / American Clavé – ewsac 1013]

Astor Piazzolla - Tango: Zero Hour (1986) [Japan 2010]

Title: Astor Piazzolla – Tango: Zero Hour (1986) [Japan 2010]
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

Ástor Piazzolla, the Argentine tango innovator, considered his 1986 album Tango: Zero Hour his finest work, a pinnacle of his nuevo tango style that fused jazz, classical, and avant-garde elements with traditional tango. Beginning his career in the 1930s, Piazzolla played bandoneón with tango legend Carlos Gardél, narrowly escaping death by declining a tour that ended in Gardél’s fatal 1935 plane crash, and later honed his craft in 1940s and 1950s tango bands before studying with Nadia Boulanger in Paris, who urged him to reimagine Argentina’s music. With his Quinteto Tango Nuevo—violin, piano, guitar, and bass—Piazzolla presents seven original compositions in Tango: Zero Hour, capturing the moody, noirish essence of the “Zero Hour” between midnight and dawn, earning global acclaim from adventurous listeners while alienating tango traditionalists. This groundbreaking album, one of the most remarkable of the late 20th century, showcases his visionary artistry and is essential for all music lovers.

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Astor Piazzolla – La Camorra (1989) [Japan 2010] [SACD / American clavé EWSAC-1021]

Astor Piazzolla - La Camorra (1989) [Japan 2010]

Title: Astor Piazzolla – La Camorra (1989) [Japan 2010]
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

Ástor Piazzolla, the foremost innovator of tango music, revolutionized the genre with his nuevo tango, blending jazz and classical elements, as showcased in this 1988 album, recorded four years before his death in 1992 and originally released on American Clave. Leading his New Tango Quintet—featuring violin, piano, bass, and electric guitar—Piazzolla crafts art music that transcends traditional tango’s dance roots, emphasizing a fierce melancholy with occasional hints of the genre’s hesitation-step beat. The piano and bass anchor the rhythm, while the bandoneon and violin weave intricate minor-key counterpoint, and the guitar intermittently complements their melodies. The album’s centerpiece, “La Camorra (The Quarrel),” a three-part tone poem, explores fading manhood and honor through an archaic lens, while “La Fugata,” a modal fugue, brilliantly evokes a Bach-like complexity with an Argentine soul, highlighting Piazzolla’s genius as a composer and bandoneon virtuoso.

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Asia – Astra (1985) [Japanese Limited SHM-SACD 2014] [SACD / Geffen Records – UIGY-9558]

Asia - Astra (1985) [Japanese Limited SHM-SACD 2014]

Title: Asia – Astra (1985) [Japanese Limited SHM-SACD 2014]
Genre: Rock
Format: SACD ISO + Hi-Res FLAC

Released in 1985, Astra is Asia’s third studio album and first without guitarist Steve Howe. While somewhat unfairly regarded in comparison to Asia’s first two albums, Astra is nonetheless a solid prog rock outing that finds bassist/vocalist John Wetton, keyboardist Geoff Downes, drummer Carl Palmer, and replacement guitarist, Krokus’ Mandy Meyer, delivering a set of melodic and driving rock anthems. Admittedly, Astra came on the heels of a tumultuous period for the band that found Wetton unceremoniously booted and replaced by ELP singer Greg Lake right before the highly publicized 1983 live televised concert event Asia in Asia. By 1984, Wetton had been reinstated, but tensions remained and Howe eventually left the band early in the recording process for Astra. Featuring a slightly more arena rock and pop-metal sound, Astra featured two Top Ten singles in the epic “Go” and the dramatic “Too Late.” Elsewhere, there was a handful of similarly radio-ready cuts, including the sparkling George Harrison-sounding “Hard On Me,” the ’50s-influenced synth balladry of “Wishing,” and the grand and symphonic rock theatrics of the very Queen-esque “Rock and Roll Dream.” Certainly, while Asia is at its best with the original lineup, Astra is a truly underrated ’80s rock album and a must-hear for fans.

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Asia – Asia (1982) [Japanese Limited SHM-SACD 2010] [SACD / Geffen Records – UIGY-9041]

Asia - Asia (1982) [Japanese Limited SHM-SACD 2010]

Title: Asia – Asia (1982) [Japanese Limited SHM-SACD 2010]
Genre: Rock
Format: SACD ISO + Hi-Res FLAC

Features the 2010 DSD mastering based on US original analog tape. Reissue features the high-fidelity SHM-SACD format (fully compatible with standard SACD player, but it does not play on standard CD players). DSD Transferred by Ellen Fitton. This marriage of four players with impressive pedigrees proved to be the success story of 1982 when Asia’s debut lodged itself at the top of the U.S. album charts for two months. The album spawned a massive number four single in “Heat of the Moment,” a follow-up Top 20 hit in the sweeping “Only Time Will Tell,” and a handful of other tracks that received heavy radio play despite going against the grain of the new wave styling of the day. Produced by Mike Stone, Asia’s strengths were the powerful vocals of John Wetton, the nimble, classically tinged guitar work of Steve Howe, Geoffrey Downes’ majestic keyboard playing, and anchoring the band, Carl Palmer’s propulsive drumming. The lyrics are overwrought at moments, but there’s no denying the epic grandeur of the music, which provided some much-needed muscle to radio at the time, and did so with style.

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Asia – Alpha (1983) [Japanese Limited SHM-SACD 2014] [SACD / Geffen Records – UIGY-9551]

Asia - Alpha (1983) [Japanese Limited SHM-SACD 2014]

Title: Asia – Alpha (1983) [Japanese Limited SHM-SACD 2014]
Genre: Rock
Format: SACD ISO + Hi-Res FLAC

The eagerly awaited follow-up to the supergroup’s debut, Alpha landed with a resounding thud a year later. The album still managed to be a platinum-selling Top Ten hit, as did the leadoff single “Don’t Cry,” but where Asia managed to make old sounds fresh, Alpha fails miserably. Nothing on Alpha packs the sheer sonic force of the band’s debut. Instead, much of the record is lightweight both lyrically and musically, leaning heavier on keyboard-laden ballads like “The Smile Has Left Your Eyes,” which managed to scrape into the Top 40, and “My Own Time (I’ll Do What I Want).” The only real meat on the record comes during the last cut, “Open Your Eyes” (and only at the end of the song). Rumored creative differences, the album’s lukewarm reception, and flagging ticket sales for the ensuing tour led to lead singer John Wetton leaving the band before the year was out. Alpha is sorely disappointing, especially coming on the heels of a promising debut.

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Asia – Alpha (1983) [Audio Fidelity 2017] [SACD / Audio Fidelity – AFZ 263]

Asia - Alpha (1983) [Audio Fidelity 2017]

Title: Asia – Alpha (1983) [Audio Fidelity 2017]
Genre: Rock
Format: SACD ISO + Hi-Res FLAC

Alpha, the second studio album by British rock band Asia, released in 1983, achieved platinum status in the US, selling nearly two million copies, but marked the last with the original lineup—featuring guitarist Steve Howe—until 2008’s Phoenix and Howe’s return for 1992’s Aqua. Following the supergroup’s acclaimed debut, Alpha disappointed, landing with lackluster impact despite a Top Ten chart position and the hit single “Don’t Cry.” Lacking the sonic punch of its predecessor, the album leans on lightweight, keyboard-heavy ballads like “The Smile Has Left Your Eyes” (a Top 40 hit) and “My Own Time (I’ll Do What I Want),” with only the closing track “Open Your Eyes” offering any real intensity at its end. Rumored creative tensions, tepid reception, and weak tour sales led to John Wetton’s exit by year’s end, making Alpha a sorely disappointing follow-up to a promising start.

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