Bob Dylan – Bringing It All Back Home (1965) [SACD 2003] [SACD / Columbia – CH 90326]

Bob Dylan - Bringing It All Back Home (1965) [SACD 2003]

Title: Bob Dylan – Bringing It All Back Home (1965) [SACD 2003]
Genre: Rock
Format: SACD ISO + Hi-Res FLAC

Bringing It All Back Home is the fifth studio album by American singer-songwriter Bob Dylan, released on March 22, 1965 by Columbia Records. The album is divided into an electric and an acoustic side. On side one of the original LP, Dylan is backed by an electric rock and roll band—a move that further alienated him from some of his former peers in the folk music community. Likewise, on the acoustic second side of the album, he distanced himself from the protest songs with which he had become closely identified (such as “Blowin’ in the Wind” and “A Hard Rain’s a-Gonna Fall”), as his lyrics continued their trend towards the abstract and personal. The album reached No. 6 on Billboard’s Pop Albums chart, the first of Dylan’s LPs to break into the US top 10. It also topped the UK charts later that Spring. The first track, “Subterranean Homesick Blues”, became Dylan’s first single to chart in the US, peaking at #39.

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1 min read

Bob Dylan – Another Side Of Bob Dylan (1964) [SACD 2003] [SACD / Columbia – CH 90327]

Bob Dylan - Another Side Of Bob Dylan (1964) [SACD 2003]

Title: Bob Dylan – Another Side Of Bob Dylan (1964) [SACD 2003]
Genre: Rock
Format: SACD ISO + Hi-Res FLAC

Another Side of Bob Dylan is the fourth studio album by American singer and songwriter Bob Dylan, released on August 8, 1964 by Columbia Records. The album deviates from the more socially conscious style which Dylan had developed with his previous LP, The Times They Are A-Changin’. The change prompted criticism from some influential figures in the folk community – Sing Out! editor Irwin Silber complained that Dylan had “somehow lost touch with people” and was caught up in “the paraphernalia of fame”. Despite the album’s thematic shift, Dylan performed the entirety of Another Side of Bob Dylan as he had previous records – solo. In addition to his usual acoustic guitar and harmonica, Dylan provides piano on one selection, “Black Crow Blues”. Another Side of Bob Dylan reached No. 43 in the US (although it eventually went gold), and peaked at No. 8 on the UK charts in 1965.

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1 min read

Bob Dylan – The Freewheelin’ Bob Dylan (1963) [SACD 2003] [SACD / Columbia – CH 90321]

Bob Dylan - The Freewheelin’ Bob Dylan (1963) [SACD 2003]

Title: Bob Dylan – The Freewheelin’ Bob Dylan (1963) [SACD 2003]
Genre: Rock
Format: SACD ISO + Hi-Res FLAC

The Freewheelin’ Bob Dylan, released on May 27, 1963, by Columbia Records, marks Bob Dylan’s second studio album and the emergence of his songwriting prowess. Unlike his debut, which featured only two original songs, this album includes eleven of Dylan’s thirteen compositions. Iconic tracks like “Blowin’ in the Wind,” a 1960s anthem later popularized by Peter, Paul & Mary, alongside “Girl from the North Country,” “Masters of War,” “A Hard Rain’s a-Gonna Fall,” and “Don’t Think Twice, It’s All Right,” became folk classics. Dylan’s lyrics address civil rights, nuclear fears, love, and surreal humor, blending political and personal themes. The album propelled Dylan to international fame, earning him the “Spokesman of a Generation” title, which he rejected. It peaked at number 22 in the U.S., went platinum, and hit number one in the UK in 1964. In 2003, Rolling Stone ranked it 97 on its 500 greatest albums list, and in 2002, it was among the first 50 recordings added to the Library of Congress’ National Recording Registry. The SACD reissue enhances its timeless sound, showcasing Dylan’s transformative impact on folk music. This album remains essential for its lyrical depth and cultural significance.

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2 min read

Bobby Timmons – This Here Is Bobby Timmons (1960) [Reissue 2004] [SACD / Riverside Records – RISA-1164-6]

Bobby Timmons - This Here Is Bobby Timmons (1960) [Reissue 2004]

Title: Bobby Timmons – This Here Is Bobby Timmons (1960) [Reissue 2004]
Genre: Jazz
Format: MCH SACD ISO + Hi-Res FLAC

Bobby Timmons, an American jazz pianist and composer, gained fame as a sideman with Art Blakey’s Jazz Messengers and Cannonball Adderley’s band, contributing hits like “Moanin’,” “Dat Dere,” and “This Here.” His debut album as a leader, This Here Is Bobby Timmons, recorded in 1960 for Riverside and reissued on SACD, showcases his influential “funky” style. The trio, featuring bassist Sam Jones and drummer Jimmy Cobb, performs Timmons’ three signature compositions, his original “Joy Ride,” and five standards, including a notable solo take on “Lush Life.” At this early peak, Timmons displays creativity far beyond the soul-jazz label he was later stereotyped with. The album blends hard bop with soulful grooves, highlighting his compositional and pianistic skill. The SACD reissue enhances the recording’s clarity, capturing the trio’s tight interplay. This set is essential for jazz fans, reflecting Timmons’ significant impact in 1960. It remains a cornerstone of his legacy, showcasing his versatility and innovative spirit. A must-have for enthusiasts of classic jazz piano trios.

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2 min read

Bob Barnard & The Swedish Jazz Kings – A Tribute To Young Louis (2002) [SACD / Opus 3 – CD 22013]

Bob Barnard & The Swedish Jazz Kings - A Tribute To Young Louis (2002)

Title: Bob Barnard & The Swedish Jazz Kings – A Tribute To Young Louis (2002)
Genre: Jazz
Format: MCH SACD ISO + Hi-Res FLAC

The Swedish Jazz Kings’ third Opus 3 release is a vibrant tribute to Louis Armstrong, focusing on his early repertoire when he was revolutionizing jazz. Joined by cornetist Bob Barnard, a leading interpreter of Armstrong’s music, and trombonist Roy Williams on most tracks, the band delivers an authentic and spirited performance. The Swedish Jazz Kings, dedicated to preserving Armstrong’s legacy, showcase their expertise in capturing his creative peak. The album’s sound, recorded by Opus 3’s skilled engineers, is exceptionally vivid on SACD, enhancing the listening experience. Tracks highlight Armstrong’s influential early compositions, performed with swing and precision. Barnard’s cornet and Williams’ trombone add depth, complementing the band’s tight ensemble. This release stands out for its historical reverence and musical quality, appealing to fans of classic jazz. The SACD format elevates the clarity and warmth of the recording, making it a standout. Highly recommended for its authenticity and stellar production, this album is a must-have for Louis Armstrong enthusiasts. It celebrates his legacy while showcasing the Swedish Jazz Kings’ mastery of early jazz.

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2 min read

Booker Ervin – The Freedom Book (1964) [APO Remaster 2017] [SACD / Analogue Productions – CPRJ 7295 SA]

Booker Ervin - The Freedom Book (1964) [APO Remaster 2017]

Title: Booker Ervin – The Freedom Book (1964) [APO Remaster 2017]
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

Booker Ervin, a commanding tenor saxophonist, gained recognition through collaborations with Charles Mingus and Randy Weston, but his Song Book series, particularly The Freedom Book (1963), cemented his legacy as a jazz giant. Recorded on December 3, 1963, with Jaki Byard (piano), Richard Davis (bass), and Alan Dawson (drums), The Freedom Book is a near-perfect blend of modern hard bop, infused with bebop intricacies and hints of free jazz. Ervin’s Texas roots shape his haunting, spacious sound, evoking the vast plains while pushing beyond traditional Texas tenor with modernist edges. The album balances innovation and tradition, offering a fresh yet accessible “Delta-meets-Morocco” vibe. Standout tracks include Ervin’s original “A Lunar Tune,” the poignant “A Day to Mourn” (inspired by JFK’s assassination), Randy Weston’s “Cry Me Not,” and the bold “Al’s In.” Despite a career cut short by cancer in 1970 at age 39, Ervin recorded around 20 albums as a leader, including the notable Song Book, Blues Book, and Space Book. The Freedom Book showcases his emotional depth and technical brilliance, making it essential for post-bop jazz fans. Its high-fidelity recording captures every nuance of Ervin’s soulful, risk-taking style. This masterpiece remains a testament to his ability to keep jazz vibrant and evolving.

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2 min read

B.W. Stevenson – My Maria & Calabasas (1973 & 1974) [Reissue 2019] [SACD / Vocalion – CDSML 8565]

B.W. Stevenson - My Maria & Calabasas (1973 & 1974) [Reissue 2019]

Title: B.W. Stevenson – My Maria & Calabasas (1973 & 1974) [Reissue 2019]
Genre: Country, Rock
Format: MCH SACD ISO + Hi-Res FLAC

B.W. Stevenson, born Louis Charles Stevenson and nicknamed “Buckwheat,” was an American country pop artist known for his work in progressive country. The 2019 SACD reissue combines his 1973 album My Maria and 1974’s Calabasas, originally released on RCA and long out of print. This light, pleasant country-pop collection features original compositions like “Pass This Way,” “(Livin’ It) Day By Day,” “Song for Katy,” and his biggest hit, “My Maria,” which reached #9 on the Billboard Hot 100. Stevenson’s knack for songwriting shines, with several tracks later covered by other artists. Notably, Three Dog Night’s hit “Shambala” closely mirrors Stevenson’s original version, also included on My Maria. The SACD, remastered by Michael J. Dutton, offers stereo and quadraphonic mixes, delivering high-fidelity sound with a standout surround mix, especially on Calabasas. Stevenson’s smooth vocals and versatile style, backed by musicians like Larry Carlton, create a timeless appeal. Despite his death in 1988 at age 38, his legacy endures through this reissue, celebrated by fans for its quality and nostalgic charm. My Maria remains the stronger album, with “Shambala” and the title track as highlights. This two-fer is a gem for progressive country enthusiasts.

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2 min read

B.B. King – Reflections (2003) [SACD / MCA Records – B0000577-26]

B.B. King - Reflections (2003)

Title: B.B. King – Reflections (2003)
Genre: Blues
Format: MCH SACD ISO + Hi-Res FLAC

At 77, B.B. King released Reflections in 2003, an album of song standards that showcased his reflective mood. Despite his age, King remained prolific, having recorded successful albums like Deuces Wild (1997), Blues on the Bayou (1998), Let the Good Times Roll (1999), Riding With the King with Eric Clapton (2000), and A Christmas Celebration of Hope (2002). For Reflections, he reunited with producer Simon Climie and worked with a stellar session band featuring Joe Sample, Nathan East, and Doyle Bramhall II. The album spans pop standards like “I’ll String Along With You,” blues classics like Lonnie Johnson’s “Tomorrow Night,” and unexpected choices like “Always on My Mind,” alongside remakes of King’s own “Word of Honor” and “Neighborhood Affair.” Horn and string arrangements complement King’s expressive voice while leaving space for his signature blues guitar. The album feels timeless, blending styles that could fit 1953 as well as 2003. While not fully satisfying for blues purists due to its broader scope, it highlights King’s versatile musical taste. His voice remains the centerpiece, supported by polished production. Reflections appeals beyond blues fans, showcasing King’s ability to transcend genre boundaries. It stands as a confident, relaxed addition to his extensive catalog.

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2 min read

B.B. King – Live At The Regal (1965) [Japanese Limited SHM-SACD 2011] [SACD / Geffen Records – UIGY-9062]

B.B. King - Live At The Regal (1965) [Japanese Limited SHM-SACD 2011]

Title: B.B. King – Live At The Regal (1965) [Japanese Limited SHM-SACD 2011]
Genre: Blues
Format: SACD ISO + Hi-Res FLAC

The 2011 reissue of Live at the Regal features DSD mastering from the Japanese master, presented in the high-fidelity SHM-SACD format, compatible only with SACD players, not standard CD players, with DSD transfer by Manabu Matsumura. B.B. King shines as a singer, guitarist, and natural-born entertainer, delivering a masterful performance to an enthusiastic Chicago audience. Backed by a razor-sharp band that follows his cues with near-telepathic precision, King performs hits with a voice that seamlessly shifts between falsetto and gritty emphasis. His guitar work, marked by a sophisticated jazz sensibility, ranks among his career’s finest, retaining its raw edge. The album’s climax, “How Blue Can You Get,” electrifies the crowd, showcasing King’s vocal and emotional range. King engages the audience with storytelling and song introductions, proving himself a consummate performer. The tight interplay between King and his band exemplifies live blues at its best. This recording captures a high point in uptown blues, blending polish with passion. Live at the Regal is essential for B.B. King fans and blues enthusiasts alike. Its pristine DSD sound enhances the experience, making it a definitive live blues album.

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2 min read

B.B. King & Eric Clapton – Riding With The King (2000) [Audio Fidelity 2015] [SACD / Audio Fidelity – AFZ 211]

B.B. King & Eric Clapton - Riding With The King (2000) [Audio Fidelity 2015]

Title: B.B. King & Eric Clapton – Riding With The King (2000) [Audio Fidelity 2015]
Genre: Rock
Format: SACD ISO + Hi-Res FLAC

The collaboration between B.B. King and Eric Clapton on Riding With the King holds immense potential, driven by their complementary styles. Organized by Clapton, the album features his regular musicians, song choices, and co-production with Simon Climie. Despite Clapton’s lead role, his respect for the 74-year-old King ensures King’s prominence, almost making Clapton a supporting player. The set list includes King classics like “Ten Long Years” and “Three O’Clock Blues,” alongside standards like “Hold on I’m Coming” and new material tailored for King. Clapton’s deference risks overshadowing his contribution, a tendency seen in past collaborations with guitarists like Albert Lee. However, their distinct styles mesh well, with Clapton’s support enhancing King’s sharp single-string playing. Multiple guitarists per track add depth to the sound. The album is effective, blending King’s blues mastery with Clapton’s polish, though it falls short of being truly groundbreaking. Recorded with high production quality, it showcases King’s comfort and Clapton’s restraint. Overall, Riding With the King delivers a solid, respectful partnership.

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2 min read