B.B. King – Live At The Regal (1965) [Japanese Limited SHM-SACD 2011] [SACD / Geffen Records – UIGY-9062]

B.B. King - Live At The Regal (1965) [Japanese Limited SHM-SACD 2011]

Title: B.B. King – Live At The Regal (1965) [Japanese Limited SHM-SACD 2011]
Genre: Blues
Format: SACD ISO + Hi-Res FLAC

The 2011 reissue of Live at the Regal features DSD mastering from the Japanese master, presented in the high-fidelity SHM-SACD format, compatible only with SACD players, not standard CD players, with DSD transfer by Manabu Matsumura. B.B. King shines as a singer, guitarist, and natural-born entertainer, delivering a masterful performance to an enthusiastic Chicago audience. Backed by a razor-sharp band that follows his cues with near-telepathic precision, King performs hits with a voice that seamlessly shifts between falsetto and gritty emphasis. His guitar work, marked by a sophisticated jazz sensibility, ranks among his career’s finest, retaining its raw edge. The album’s climax, “How Blue Can You Get,” electrifies the crowd, showcasing King’s vocal and emotional range. King engages the audience with storytelling and song introductions, proving himself a consummate performer. The tight interplay between King and his band exemplifies live blues at its best. This recording captures a high point in uptown blues, blending polish with passion. Live at the Regal is essential for B.B. King fans and blues enthusiasts alike. Its pristine DSD sound enhances the experience, making it a definitive live blues album.

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2 min read

B.B. King & Eric Clapton – Riding With The King (2000) [Audio Fidelity 2015] [SACD / Audio Fidelity – AFZ 211]

B.B. King & Eric Clapton - Riding With The King (2000) [Audio Fidelity 2015]

Title: B.B. King & Eric Clapton – Riding With The King (2000) [Audio Fidelity 2015]
Genre: Rock
Format: SACD ISO + Hi-Res FLAC

The collaboration between B.B. King and Eric Clapton on Riding With the King holds immense potential, driven by their complementary styles. Organized by Clapton, the album features his regular musicians, song choices, and co-production with Simon Climie. Despite Clapton’s lead role, his respect for the 74-year-old King ensures King’s prominence, almost making Clapton a supporting player. The set list includes King classics like “Ten Long Years” and “Three O’Clock Blues,” alongside standards like “Hold on I’m Coming” and new material tailored for King. Clapton’s deference risks overshadowing his contribution, a tendency seen in past collaborations with guitarists like Albert Lee. However, their distinct styles mesh well, with Clapton’s support enhancing King’s sharp single-string playing. Multiple guitarists per track add depth to the sound. The album is effective, blending King’s blues mastery with Clapton’s polish, though it falls short of being truly groundbreaking. Recorded with high production quality, it showcases King’s comfort and Clapton’s restraint. Overall, Riding With the King delivers a solid, respectful partnership.

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2 min read

B.B. Driftwood – Southward Bound (2012) [SACD / Opus 3 – CD 22112]

B.B. Driftwood - Southward Bound (2012)

Title: B.B. Driftwood – Southward Bound (2012)
Genre: Folk, R&B, Soul
Format: SACD ISO + Hi-Res FLAC

B.B. Driftwood, real name Bengt Skoghoft, may sound like a Southern bluesman, but he hails from far beyond the U.S. South. His debut SACD, Southward Bound, blends blues with rock, gospel, country, and R&B, echoing Eric Bibb while showcasing his unique style. Driftwood wrote all the album’s songs, infusing Cuban/Brazilian rhythms and top-notch musicianship. The title track features his bluesy voice, unusual chords, and Sebastian Notini’s skilled percussion. Backing vocals by Paris Renita and others add a Leonard Cohen-like polish. Standout tracks like “Sweet Elizabeth” bring zydeco flair, with Driftwood playing multiple instruments, supported by musicians like Staffan Astner. “A Way To Celebrate” shines with thoughtful lyrics and lasting melodies, reminiscent of The Wire’s “Way Down in the Hole.” “Strange How Things Can Turn Around” features Eric Bibb’s 12-string guitar, blending gospel and tight rhythms. Driftwood’s Otis Redding-inspired “Love Must Prevail” and the instrumental “Aliki Moonlight” round out the diverse album. Recorded by Sweden’s Opus 3, this SACD offers superior DSD sound quality, delivering a spacious and relaxing listening experience.

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2 min read

Astrud Gilberto – The Astrud Gilberto Album (1965) [Japanese Limited SHM-SACD 2011] [SACD / Verve Records – UCGU-9022]

Astrud Gilberto - The Astrud Gilberto Album (1965) [Japanese Limited SHM-SACD 2011]

Title: Astrud Gilberto – The Astrud Gilberto Album (1965) [Japanese Limited SHM-SACD 2011]
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

Astrud Gilberto, a Brazilian samba and bossa nova singer and former wife of João Gilberto, emerged as an accidental star when her limited English led to her iconic performance of “The Girl from Ipanema” with Stan Getz and João on the Getz/Gilberto album. Despite her fragile, amateurish vocal style, her debut solo LP, The Astrud Gilberto Album, released in 1965, rivals its predecessor, leveraging her sweet voice and a stellar Brazilian repertoire suited to delicate vocalists. Arranger Marty Paich’s radiant string arrangements, paired with lead instruments like Bud Shank’s flute, João Donato’s piano, and Antonio Carlos Jobim’s guitar, perfectly complement Gilberto’s vocals on tracks like the sentimental “Dindi” and playful “Agua de Beber.” With intelligent musicians playing to her strengths, this splendid album solidifies her role as a key figure in the bossa nova movement.

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1 min read

Astor Piazzolla – The Rough Dancer And The Cyclical Night (Tango Apasionado) [1987] {Japan 2009} [SACD / American Clavé – ewsac 1019]

Astor Piazzolla - The Rough Dancer And The Cyclical Night (Tango Apasionado) [1987] {Japan 2009}

Title: Astor Piazzolla – The Rough Dancer And The Cyclical Night (Tango Apasionado) [1987] {Japan 2009}
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

Following the acclaimed 1986 album Tango: Zero Hour, Ástor Piazzolla’s Rough Dancer and the Cyclical Night, recorded with his Quinteto Nueva Tango, including pianist Pablo Zinger and violinist Fernando Suarez Paz, features guest artists Andy Gonzalez on bass and Latin jazz alto saxophonist Paquito d’Rivera. Piazzolla’s passionate, complex bandoneon solos dominate, set against producer Kip Hanrahan’s spacious soundscape, with a smoother, more whimsical feel compared to the intense tempo and mood shifts of Zero Hour. Created for the musical Tango Apasionado, which traces tango’s evolution from Buenos Aires origins to the modern era, this album blends nuevo tango’s jazz and classical influences with a refined touch. A must-have for Piazzolla fans and tango enthusiasts, it stands alongside Tango: Zero Hour as a pinnacle of his innovative legacy.

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1 min read

Astor Piazzolla – Tango: Zero Hour (1986) [Japan 2010] [SACD / American Clavé – ewsac 1013]

Astor Piazzolla - Tango: Zero Hour (1986) [Japan 2010]

Title: Astor Piazzolla – Tango: Zero Hour (1986) [Japan 2010]
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

Ástor Piazzolla, the Argentine tango innovator, considered his 1986 album Tango: Zero Hour his finest work, a pinnacle of his nuevo tango style that fused jazz, classical, and avant-garde elements with traditional tango. Beginning his career in the 1930s, Piazzolla played bandoneón with tango legend Carlos Gardél, narrowly escaping death by declining a tour that ended in Gardél’s fatal 1935 plane crash, and later honed his craft in 1940s and 1950s tango bands before studying with Nadia Boulanger in Paris, who urged him to reimagine Argentina’s music. With his Quinteto Tango Nuevo—violin, piano, guitar, and bass—Piazzolla presents seven original compositions in Tango: Zero Hour, capturing the moody, noirish essence of the “Zero Hour” between midnight and dawn, earning global acclaim from adventurous listeners while alienating tango traditionalists. This groundbreaking album, one of the most remarkable of the late 20th century, showcases his visionary artistry and is essential for all music lovers.

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1 min read

Astor Piazzolla – La Camorra (1989) [Japan 2010] [SACD / American clavé EWSAC-1021]

Astor Piazzolla - La Camorra (1989) [Japan 2010]

Title: Astor Piazzolla – La Camorra (1989) [Japan 2010]
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

Ástor Piazzolla, the foremost innovator of tango music, revolutionized the genre with his nuevo tango, blending jazz and classical elements, as showcased in this 1988 album, recorded four years before his death in 1992 and originally released on American Clave. Leading his New Tango Quintet—featuring violin, piano, bass, and electric guitar—Piazzolla crafts art music that transcends traditional tango’s dance roots, emphasizing a fierce melancholy with occasional hints of the genre’s hesitation-step beat. The piano and bass anchor the rhythm, while the bandoneon and violin weave intricate minor-key counterpoint, and the guitar intermittently complements their melodies. The album’s centerpiece, “La Camorra (The Quarrel),” a three-part tone poem, explores fading manhood and honor through an archaic lens, while “La Fugata,” a modal fugue, brilliantly evokes a Bach-like complexity with an Argentine soul, highlighting Piazzolla’s genius as a composer and bandoneon virtuoso.

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1 min read

Asia – Astra (1985) [Japanese Limited SHM-SACD 2014] [SACD / Geffen Records – UIGY-9558]

Asia - Astra (1985) [Japanese Limited SHM-SACD 2014]

Title: Asia – Astra (1985) [Japanese Limited SHM-SACD 2014]
Genre: Rock
Format: SACD ISO + Hi-Res FLAC

Released in 1985, Astra is Asia’s third studio album and first without guitarist Steve Howe. While somewhat unfairly regarded in comparison to Asia’s first two albums, Astra is nonetheless a solid prog rock outing that finds bassist/vocalist John Wetton, keyboardist Geoff Downes, drummer Carl Palmer, and replacement guitarist, Krokus’ Mandy Meyer, delivering a set of melodic and driving rock anthems. Admittedly, Astra came on the heels of a tumultuous period for the band that found Wetton unceremoniously booted and replaced by ELP singer Greg Lake right before the highly publicized 1983 live televised concert event Asia in Asia. By 1984, Wetton had been reinstated, but tensions remained and Howe eventually left the band early in the recording process for Astra. Featuring a slightly more arena rock and pop-metal sound, Astra featured two Top Ten singles in the epic “Go” and the dramatic “Too Late.” Elsewhere, there was a handful of similarly radio-ready cuts, including the sparkling George Harrison-sounding “Hard On Me,” the ’50s-influenced synth balladry of “Wishing,” and the grand and symphonic rock theatrics of the very Queen-esque “Rock and Roll Dream.” Certainly, while Asia is at its best with the original lineup, Astra is a truly underrated ’80s rock album and a must-hear for fans.

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2 min read

Asia – Asia (1982) [Japanese Limited SHM-SACD 2010] [SACD / Geffen Records – UIGY-9041]

Asia - Asia (1982) [Japanese Limited SHM-SACD 2010]

Title: Asia – Asia (1982) [Japanese Limited SHM-SACD 2010]
Genre: Rock
Format: SACD ISO + Hi-Res FLAC

Features the 2010 DSD mastering based on US original analog tape. Reissue features the high-fidelity SHM-SACD format (fully compatible with standard SACD player, but it does not play on standard CD players). DSD Transferred by Ellen Fitton. This marriage of four players with impressive pedigrees proved to be the success story of 1982 when Asia’s debut lodged itself at the top of the U.S. album charts for two months. The album spawned a massive number four single in “Heat of the Moment,” a follow-up Top 20 hit in the sweeping “Only Time Will Tell,” and a handful of other tracks that received heavy radio play despite going against the grain of the new wave styling of the day. Produced by Mike Stone, Asia’s strengths were the powerful vocals of John Wetton, the nimble, classically tinged guitar work of Steve Howe, Geoffrey Downes’ majestic keyboard playing, and anchoring the band, Carl Palmer’s propulsive drumming. The lyrics are overwrought at moments, but there’s no denying the epic grandeur of the music, which provided some much-needed muscle to radio at the time, and did so with style.

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2 min read

Asia – Alpha (1983) [Japanese Limited SHM-SACD 2014] [SACD / Geffen Records – UIGY-9551]

Asia - Alpha (1983) [Japanese Limited SHM-SACD 2014]

Title: Asia – Alpha (1983) [Japanese Limited SHM-SACD 2014]
Genre: Rock
Format: SACD ISO + Hi-Res FLAC

The eagerly awaited follow-up to the supergroup’s debut, Alpha landed with a resounding thud a year later. The album still managed to be a platinum-selling Top Ten hit, as did the leadoff single “Don’t Cry,” but where Asia managed to make old sounds fresh, Alpha fails miserably. Nothing on Alpha packs the sheer sonic force of the band’s debut. Instead, much of the record is lightweight both lyrically and musically, leaning heavier on keyboard-laden ballads like “The Smile Has Left Your Eyes,” which managed to scrape into the Top 40, and “My Own Time (I’ll Do What I Want).” The only real meat on the record comes during the last cut, “Open Your Eyes” (and only at the end of the song). Rumored creative differences, the album’s lukewarm reception, and flagging ticket sales for the ensuing tour led to lead singer John Wetton leaving the band before the year was out. Alpha is sorely disappointing, especially coming on the heels of a promising debut.

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1 min read