Ornette Coleman – The Shape Of Jazz To Come (1959) [Japanese Limited SHM-SACD 2011] [SACD / Atlantic – WPGR-10005]

Ornette Coleman - The Shape Of Jazz To Come (1959) [Japanese Limited SHM-SACD 2011]

Title: Ornette Coleman – The Shape Of Jazz To Come (1959) [Japanese Limited SHM-SACD 2011]
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

Ornette Coleman’s The Shape of Jazz to Come, his Atlantic debut, is a landmark in avant-garde jazz. It challenged jazz harmony by eliminating the piano and fixed chord changes. Coleman and Don Cherry gained unprecedented freedom to explore melodies spontaneously. The rhythm section, with Charlie Haden on bass and Billy Higgins on drums, supported Coleman’s radical vision. Critics feared Coleman’s free approach, claiming his music lacked structure. In retrospect, the album is accessible and often swinging, despite its controversy. Coleman’s alto saxophone, with its wailing and vocalized effects, defied conventional technique. His themes followed unpredictable paths, but his improvisations remained deeply melodic. “Lonely Woman” is a haunting classic, with “Congeniality” and “Peace” also standout tracks. This album is essential for understanding jazz’s avant-garde evolution.

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1 min read

Ornette Coleman – Skies Of America (1972) [Japan 2000] [SACD / SME Records – SRGS 4554]

Ornette Coleman - Skies Of America (1972) [Japan 2000]

Title: Ornette Coleman – Skies Of America (1972) [Japan 2000]
Genre: Jazz
Format: SACD ISO + DSF DSD64 + Hi-Res FLAC

Skies of America, Ornette Coleman’s 17th album, released in 1972 on Columbia Records, is a single orchestral composition. Performed by the London Symphony Orchestra under David Measham, it features Coleman soloing in only a few segments. British union rules prevented Coleman’s quartet from playing, forcing him to adapt the work without its concerto grosso form. To fit on one LP, Coleman cut many recurring themes, and the recording quality is subpar. This was Coleman’s first recorded orchestral work, employing his innovative harmolodic theory, allowing simultaneous solos in different keys. The album, with 21 marked bands, is one unbroken piece with recurring themes tied to Coleman’s musical evolution. Notable themes, like “The Good Life,” trace back to 1962’s “School Work” and later became “Dancing in Your Head.” Coleman’s solos, from “The Artist in America” to “Sunday in America,” are emotionally and politically charged. The work’s dissonance challenges Western harmonic norms, making it both compelling and ahead of its time. Skies of America remains a bold, unreplicated challenge in music, still sounding revolutionary.

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2 min read

Orlando & Die Unerlösten – Icetales (2004) [SACD / Newpast – Newpast SACD 1004]

Orlando und die Unerlosten - Icetales (2004)

Title: Orlando & Die Unerlösten – Icetales (2004)
Genre: New Age, Classical
Format: MCH SACD ISO + Hi-Res FLAC

“Ice lives, ice works, groans, tears, resists the kiss of the sun. Ice has rhythm, melody and sound at the same time. Ice is music. That’s why the Icetales, the stories of ice, had to become music. The idea came to me in February 2004 on the frozen Weissensee in Carinthia. The dark core ice cracks under the temperature fluctuations and paints three-dimensional pictures with air pockets, bubbles, colors, bizarre shapes, stars, figures, delicate melodies and angular rhythms. Our music reflects this: if you listen to the inside of the songs, it’s like looking into the three-dimensionality of ice – especially in the fantastic surround sound mix of this album (to be experienced on the corresponding SACD system).” (Roland Kunz)

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1 min read

Oregon – Beyond Words (1995) [Reissue 2003] [SACD / Chesky Records – SACD252]

Oregon - Beyond Words (1995) [Reissue 2003]

Title: Oregon – Beyond Words (1995) [Reissue 2003]
Genre: Jazz
Format: MCH SACD ISO + Hi-Res FLAC

Oregon emerged in 1970 as a splinter band from the Paul Winter Consort. Its members each had experience in jazz, classical, and a variety of non-western musical styles, and were also multi-instrumentalists.

With its combination of simple beauty and elegant intricacy, Oregon’s Beyond Words truly is. This time out, the three surviving original members of Oregon perform as a drummerless trio, handling a variety of compositions old and new, primarily from the pen of Ralph Towner. Towner’s multi-instrumental versatility highlights and undergirds the proceedings, with his beautiful classical and 12-string guitar work especially satisfying. Paul McCandless delivers his usual flawless performance on an amazing variety of woodwinds. The interplay between his bass clarinet and Glen Moore’s restored 1715 Klotz bass is superb on “Pepé Linque” and “Sicilian Walk.” Towner’s classic “The Silence of a Candle,” first recorded on the landmark Icarus with the Paul Winter Consort, is reprised here, as are several other Oregon standards, including “Witchi-Tai-To.” The only weak moments come in the set-closing “Silver Suite,” which meanders aimlessly at times. Other than that, this is an album filled with gorgeous, multi-dimensional music played by a trio of inspired virtuosos.

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2 min read

One For All – What’s Going On (2007) [Japan 2017] [SACD / Venus Records – VHGD-263]

One For All - What's Going On (2007) [Japan 2017]

Title: One For All – What’s Going On (2007) [Japan 2017]
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

Rock-solid work from One For All, easily one of the greatest straight jazz combos going, thanks to some tremendous tenor work from Eric Alexander, sweet piano work from David Hazeltine, and snapping rhythms from drummer Joe Farnsworth. The sextet also features Jim Rotondi on trumpet, Steve Davis on trombone, and John Webber on bass, all working here at the height of their powers, and also coming across with a bit more sharpness and soul than even other recent sessions on the Venus label. Arrangements are by all members of the group; the tunes are long and roll out beautifully with a solidly soulful feel — no surprise, given that most of them are covers of classic soul tunes from the ’70s.
One for All is an ongoing all-star band that regularly meets for record dates, though almost all members of the sextet lead individual groups of their own. The focus of this session is soul music, though not in the context one would expect to hear it. Trumpeter Jim Rotondi’s recasting of Marvin Gaye’s protest song “What’s Going On?” transforms the piece from a rather repetitious, irritating anthem into a brilliant post-bop vehicle, with sizzling solos and terrific ensembles. Tenor saxophonist Eric Alexander utilizes a similar method in his recasting of Al Green’s “Let’s Stay Together” with equal success. Pianist David Hazeltine contributed several arrangements, including a snappy Latin-flavored setting of Stevie Wonder’s “Golden Lady” and a soulful yet upbeat chart of “Betcha by Golly, Wow,” the latter a hit for a number of different artists. Trombonist Steve Davis adds a Latin flavor to his pulsing take of “Stop! In the Name of Love,” a huge hit for the Supremes. Even jazz fans who aren’t particularly connoisseurs of soul music will find much to like in this enjoyable release.

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2 min read

One For All – The End Of A Love Affair (2001) [Japan 2015] [SACD / Venus Records – VHGD-66]

One For All - The End Of A Love Affair (2001) [Japan 2015]

Title: One For All – The End Of A Love Affair (2001) [Japan 2015]
Genre: Jazz
Format: SACD ISO + DSF DSD64 + Hi-Res FLAC

One For All, a hard-bop sextet, explores jazz standards on the audiophile SACD The End of a Love Affair for Venus Records. The group features Eric Alexander (tenor saxophone), Steve Davis (trombone), Jim Rotondi (trumpet), David Hazeltine (piano), Peter Washington (bass), and Joe Farnsworth (drums). Their first Venus release delves into standards like “Skylark,” Jobim’s “Corcovado,” and Oliver Nelson’s “Stolen Moments.” Hazeltine’s arrangements, with altered chords and suspended rhythms, breathe new life into familiar tunes. Three of the eight tracks are originals, showcasing the band’s creative spark. Hazeltine’s “How Are You?” grooves in a 12/8 Afro-Cuban style, highlighted by Davis’ smoldering trombone solo. Alexander’s “Shinjuku Waltz” features a harmonious bass solo by Washington, kicking off a string of solos. Davis’ “The Eyes Have It” is a Blakey-inspired shuffle with fiery solos from Davis, Alexander, and Rotondi. Washington provides rock-solid support throughout the session. The album’s engaging reinvention of standards and dynamic originals appeal strongly to hard-bop fans.

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2 min read

One For All – No Problem (2003) [Japan 2016] [SACD / Venus Records – VHGD-136]

One For All - No Problem (2003) [Japan 2016]

Title: One For All – No Problem (2003) [Japan 2016]
Genre: Jazz
Format: SACD ISO + DSF DSD64 + Hi-Res FLAC

One For All, a New York-based hard-bop sextet, recorded this 2003 session for Venus with a steady core lineup and bassist Ray Drummond. The group, featuring Eric Alexander (tenor saxophone), Jim Rotondi (trumpet), Steve Davis (trombone), David Hazeltine (piano), and Joe Farnsworth (drums), formed in the mid-’90s. Most tracks, like Duke Jordan’s “No Problem” and “Moanin’,” are tied to Art Blakey’s Jazz Messengers, whose final album inspired the band’s name. Farnsworth’s “Our Father Who Art Blakey” is a driving tribute to Blakey’s legacy. “No Problem” gets a Latin twist, while Hazeltine’s delicate “Moanin’” offers a fresh take. The high-energy “Time Off” features a blistering Davis solo, and “Prelude to a Kiss” showcases Alexander’s passionate, Coltrane-esque balladry. Recorded at Avatar Studios, the album captures the band’s mastery and live intensity. Two originals, Farnsworth’s “Our Father…” and Davis’ “One for All,” complement the classic arrangements. The sextet’s cohesive energy and strong solos shine throughout. This powerful recording, with its frontal sound, is a must for hard-bop fans.

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2 min read

One For All – Killer Joe (2006) [Japan 2017] [SACD / Venus Records – VHGD-216]

One For All - Killer Joe (2006) [Japan 2017]

Title: One For All – Killer Joe (2006) [Japan 2017]
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

One For All, a hard-bop jazz sextet formed in 1997, features Eric Alexander (tenor saxophone), Jim Rotondi (trumpet), Steve Davis (trombone), David Hazeltine (piano), David Williams (bass), and Joe Farnsworth (drums). The group’s style echoes 1960s Blue Note jazz and Art Blakey’s Jazz Messengers, from whose final album they took their name. Jazz Times’ David Adler calls them “New York’s premier hard-bop supergroup.” The sextet includes six skilled New York musicians, many with extensive experience as bandleaders. Their frontline of Alexander, Davis, and Rotondi is backed by a strong rhythm section of Hazeltine, Williams, and Farnsworth. They perform classic hard-bop standards like “Killer Joe,” “Mating Call,” and “I Remember Clifford” with confidence. To stay fresh, the band incorporates original compositions. Eric Alexander’s “Island” is a mellow ballad with excellent horn interplay. Steve Davis’ “Hot Sake” is a driving track reminiscent of Art Blakey’s Jazz Messengers. One For All is a highly recommended hard-bop ensemble.

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1 min read

Various Artists – Opus 3: A selection from Test-records 1, 2 & 3 (2008) [SACD / Opus 3 – CD 19520]

Various Artists - Opus 3: A selection from Test-records 1, 2 & 3 (2008)

Title: Various Artists – Opus 3: A selection from Test-records 1, 2 & 3 (2008)
Genre: Jazz, Blues, Classical, Folk, World, & Country
Format: MCH SACD ISO

Classic Opus 3 from 1977 – 1984 In 1995, this album was released as an ordinary CD. (CD 19500) On this totally re-mastered version for SACD – directly from the original analogue tapes – we have added two ”Bonus tracks”: One with our nowadays famous artist, Eric Bibb from his debut album on Opus 3 in 1977, ”Rainbow People” – an album that in the past only been available on LP. (Soon, it will be re-mastered and released on SACD!)

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1 min read

Various Artists – Opus 3 – Test CD 4: Acoustic Music In Authentic Enviroments (2001) [SACD / Opus 3 – CD 19420]

Various Artists - Opus 3 - Test CD 4: Acoustic Music In Authentic Enviroments (2001)

Title: Various Artists – Opus 3 – Test CD 4: Acoustic Music In Authentic Enviroments (2001)
Genre: Jazz, Blues, Classical, Folk, World, Country
Format: SACD ISO

CD 4 is an extended version of Test Record 4 on vinyl. Contents now include 6 completely new tracks & a few replacements, & the total time is more than 76 minutes. In this the 4th test record, the 3 basic concepts of: Depth of Image, Timbre & Dynamics have been linked together as a basis for evaluation of HiFi equipment. Test CD 4, like its predecessors, contains a generously varied selection of acoustic music from the Opus 3 catalogue, with advisers concerning special points to listen for on each track. Again like its predecessors, the new test record makes an enjoyable music sampler, all the more so as it includes no fewer than 17 tracks from 17 different Opus 3 titles, most of them recent releases.

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1 min read