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SACD

Bob Dylan – The Freewheelin’ Bob Dylan (1963) [SACD 2003] [SACD / Columbia – CH 90321]

adminJune 10, 2025 264 Views

Title: Bob Dylan – The Freewheelin’ Bob Dylan (1963) [SACD 2003]
Genre: Rock
Format: SACD ISO + Hi-Res FLAC

The Freewheelin’ Bob Dylan, released on May 27, 1963, by Columbia Records, marks Bob Dylan’s second studio album and the emergence of his songwriting prowess. Unlike his debut, which featured only two original songs, this album includes eleven of Dylan’s thirteen compositions. Iconic tracks like “Blowin’ in the Wind,” a 1960s anthem later popularized by Peter, Paul & Mary, alongside “Girl from the North Country,” “Masters of War,” “A Hard Rain’s a-Gonna Fall,” and “Don’t Think Twice, It’s All Right,” became folk classics. Dylan’s lyrics address civil rights, nuclear fears, love, and surreal humor, blending political and personal themes. The album propelled Dylan to international fame, earning him the “Spokesman of a Generation” title, which he rejected. It peaked at number 22 in the U.S., went platinum, and hit number one in the UK in 1964. In 2003, Rolling Stone ranked it 97 on its 500 greatest albums list, and in 2002, it was among the first 50 recordings added to the Library of Congress’ National Recording Registry. The SACD reissue enhances its timeless sound, showcasing Dylan’s transformative impact on folk music. This album remains essential for its lyrical depth and cultural significance.

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SACD

Bobby Timmons – This Here Is Bobby Timmons (1960) [Reissue 2004] [SACD / Riverside Records – RISA-1164-6]

adminJune 6, 2025 407 Views

Title: Bobby Timmons – This Here Is Bobby Timmons (1960) [Reissue 2004]
Genre: Jazz
Format: MCH SACD ISO + Hi-Res FLAC

Bobby Timmons, an American jazz pianist and composer, gained fame as a sideman with Art Blakey’s Jazz Messengers and Cannonball Adderley’s band, contributing hits like “Moanin’,” “Dat Dere,” and “This Here.” His debut album as a leader, This Here Is Bobby Timmons, recorded in 1960 for Riverside and reissued on SACD, showcases his influential “funky” style. The trio, featuring bassist Sam Jones and drummer Jimmy Cobb, performs Timmons’ three signature compositions, his original “Joy Ride,” and five standards, including a notable solo take on “Lush Life.” At this early peak, Timmons displays creativity far beyond the soul-jazz label he was later stereotyped with. The album blends hard bop with soulful grooves, highlighting his compositional and pianistic skill. The SACD reissue enhances the recording’s clarity, capturing the trio’s tight interplay. This set is essential for jazz fans, reflecting Timmons’ significant impact in 1960. It remains a cornerstone of his legacy, showcasing his versatility and innovative spirit. A must-have for enthusiasts of classic jazz piano trios.

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2 min read

SACD

Bob Barnard & The Swedish Jazz Kings – A Tribute To Young Louis (2002) [SACD / Opus 3 – CD 22013]

adminJune 6, 2025 331 Views

Title: Bob Barnard & The Swedish Jazz Kings – A Tribute To Young Louis (2002)
Genre: Jazz
Format: MCH SACD ISO + Hi-Res FLAC

The Swedish Jazz Kings’ third Opus 3 release is a vibrant tribute to Louis Armstrong, focusing on his early repertoire when he was revolutionizing jazz. Joined by cornetist Bob Barnard, a leading interpreter of Armstrong’s music, and trombonist Roy Williams on most tracks, the band delivers an authentic and spirited performance. The Swedish Jazz Kings, dedicated to preserving Armstrong’s legacy, showcase their expertise in capturing his creative peak. The album’s sound, recorded by Opus 3’s skilled engineers, is exceptionally vivid on SACD, enhancing the listening experience. Tracks highlight Armstrong’s influential early compositions, performed with swing and precision. Barnard’s cornet and Williams’ trombone add depth, complementing the band’s tight ensemble. This release stands out for its historical reverence and musical quality, appealing to fans of classic jazz. The SACD format elevates the clarity and warmth of the recording, making it a standout. Highly recommended for its authenticity and stellar production, this album is a must-have for Louis Armstrong enthusiasts. It celebrates his legacy while showcasing the Swedish Jazz Kings’ mastery of early jazz.

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2 min read

SACD

Booker Ervin – The Freedom Book (1964) [APO Remaster 2017] [SACD / Analogue Productions – CPRJ 7295 SA]

adminJune 6, 2025 265 Views

Title: Booker Ervin – The Freedom Book (1964) [APO Remaster 2017]
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

Booker Ervin, a commanding tenor saxophonist, gained recognition through collaborations with Charles Mingus and Randy Weston, but his Song Book series, particularly The Freedom Book (1963), cemented his legacy as a jazz giant. Recorded on December 3, 1963, with Jaki Byard (piano), Richard Davis (bass), and Alan Dawson (drums), The Freedom Book is a near-perfect blend of modern hard bop, infused with bebop intricacies and hints of free jazz. Ervin’s Texas roots shape his haunting, spacious sound, evoking the vast plains while pushing beyond traditional Texas tenor with modernist edges. The album balances innovation and tradition, offering a fresh yet accessible “Delta-meets-Morocco” vibe. Standout tracks include Ervin’s original “A Lunar Tune,” the poignant “A Day to Mourn” (inspired by JFK’s assassination), Randy Weston’s “Cry Me Not,” and the bold “Al’s In.” Despite a career cut short by cancer in 1970 at age 39, Ervin recorded around 20 albums as a leader, including the notable Song Book, Blues Book, and Space Book. The Freedom Book showcases his emotional depth and technical brilliance, making it essential for post-bop jazz fans. Its high-fidelity recording captures every nuance of Ervin’s soulful, risk-taking style. This masterpiece remains a testament to his ability to keep jazz vibrant and evolving.

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2 min read

SACD

B.W. Stevenson – My Maria & Calabasas (1973 & 1974) [Reissue 2019] [SACD / Vocalion – CDSML 8565]

adminJune 6, 2025 243 Views

Title: B.W. Stevenson – My Maria & Calabasas (1973 & 1974) [Reissue 2019]
Genre: Country, Rock
Format: MCH SACD ISO + Hi-Res FLAC

B.W. Stevenson, born Louis Charles Stevenson and nicknamed “Buckwheat,” was an American country pop artist known for his work in progressive country. The 2019 SACD reissue combines his 1973 album My Maria and 1974’s Calabasas, originally released on RCA and long out of print. This light, pleasant country-pop collection features original compositions like “Pass This Way,” “(Livin’ It) Day By Day,” “Song for Katy,” and his biggest hit, “My Maria,” which reached #9 on the Billboard Hot 100. Stevenson’s knack for songwriting shines, with several tracks later covered by other artists. Notably, Three Dog Night’s hit “Shambala” closely mirrors Stevenson’s original version, also included on My Maria. The SACD, remastered by Michael J. Dutton, offers stereo and quadraphonic mixes, delivering high-fidelity sound with a standout surround mix, especially on Calabasas. Stevenson’s smooth vocals and versatile style, backed by musicians like Larry Carlton, create a timeless appeal. Despite his death in 1988 at age 38, his legacy endures through this reissue, celebrated by fans for its quality and nostalgic charm. My Maria remains the stronger album, with “Shambala” and the title track as highlights. This two-fer is a gem for progressive country enthusiasts.

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2 min read

SACD

B.B. King – Reflections (2003) [SACD / MCA Records – B0000577-26]

adminJune 6, 2025 300 Views

Title: B.B. King – Reflections (2003)
Genre: Blues
Format: MCH SACD ISO + Hi-Res FLAC

At 77, B.B. King released Reflections in 2003, an album of song standards that showcased his reflective mood. Despite his age, King remained prolific, having recorded successful albums like Deuces Wild (1997), Blues on the Bayou (1998), Let the Good Times Roll (1999), Riding With the King with Eric Clapton (2000), and A Christmas Celebration of Hope (2002). For Reflections, he reunited with producer Simon Climie and worked with a stellar session band featuring Joe Sample, Nathan East, and Doyle Bramhall II. The album spans pop standards like “I’ll String Along With You,” blues classics like Lonnie Johnson’s “Tomorrow Night,” and unexpected choices like “Always on My Mind,” alongside remakes of King’s own “Word of Honor” and “Neighborhood Affair.” Horn and string arrangements complement King’s expressive voice while leaving space for his signature blues guitar. The album feels timeless, blending styles that could fit 1953 as well as 2003. While not fully satisfying for blues purists due to its broader scope, it highlights King’s versatile musical taste. His voice remains the centerpiece, supported by polished production. Reflections appeals beyond blues fans, showcasing King’s ability to transcend genre boundaries. It stands as a confident, relaxed addition to his extensive catalog.

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2 min read

SACD

B.B. King – Live At The Regal (1965) [Japanese Limited SHM-SACD 2011] [SACD / Geffen Records – UIGY-9062]

adminJune 6, 2025 257 Views

Title: B.B. King – Live At The Regal (1965) [Japanese Limited SHM-SACD 2011]
Genre: Blues
Format: SACD ISO + Hi-Res FLAC

The 2011 reissue of Live at the Regal features DSD mastering from the Japanese master, presented in the high-fidelity SHM-SACD format, compatible only with SACD players, not standard CD players, with DSD transfer by Manabu Matsumura. B.B. King shines as a singer, guitarist, and natural-born entertainer, delivering a masterful performance to an enthusiastic Chicago audience. Backed by a razor-sharp band that follows his cues with near-telepathic precision, King performs hits with a voice that seamlessly shifts between falsetto and gritty emphasis. His guitar work, marked by a sophisticated jazz sensibility, ranks among his career’s finest, retaining its raw edge. The album’s climax, “How Blue Can You Get,” electrifies the crowd, showcasing King’s vocal and emotional range. King engages the audience with storytelling and song introductions, proving himself a consummate performer. The tight interplay between King and his band exemplifies live blues at its best. This recording captures a high point in uptown blues, blending polish with passion. Live at the Regal is essential for B.B. King fans and blues enthusiasts alike. Its pristine DSD sound enhances the experience, making it a definitive live blues album.

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2 min read

SACD

B.B. King & Eric Clapton – Riding With The King (2000) [Audio Fidelity 2015] [SACD / Audio Fidelity – AFZ 211]

adminJune 6, 2025 240 Views

Title: B.B. King & Eric Clapton – Riding With The King (2000) [Audio Fidelity 2015]
Genre: Rock
Format: SACD ISO + Hi-Res FLAC

The collaboration between B.B. King and Eric Clapton on Riding With the King holds immense potential, driven by their complementary styles. Organized by Clapton, the album features his regular musicians, song choices, and co-production with Simon Climie. Despite Clapton’s lead role, his respect for the 74-year-old King ensures King’s prominence, almost making Clapton a supporting player. The set list includes King classics like “Ten Long Years” and “Three O’Clock Blues,” alongside standards like “Hold on I’m Coming” and new material tailored for King. Clapton’s deference risks overshadowing his contribution, a tendency seen in past collaborations with guitarists like Albert Lee. However, their distinct styles mesh well, with Clapton’s support enhancing King’s sharp single-string playing. Multiple guitarists per track add depth to the sound. The album is effective, blending King’s blues mastery with Clapton’s polish, though it falls short of being truly groundbreaking. Recorded with high production quality, it showcases King’s comfort and Clapton’s restraint. Overall, Riding With the King delivers a solid, respectful partnership.

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2 min read

SACD

B.B. Driftwood – Southward Bound (2012) [SACD / Opus 3 – CD 22112]

adminJune 6, 2025 281 Views

Title: B.B. Driftwood – Southward Bound (2012)
Genre: Folk, R&B, Soul
Format: SACD ISO + Hi-Res FLAC

B.B. Driftwood, real name Bengt Skoghoft, may sound like a Southern bluesman, but he hails from far beyond the U.S. South. His debut SACD, Southward Bound, blends blues with rock, gospel, country, and R&B, echoing Eric Bibb while showcasing his unique style. Driftwood wrote all the album’s songs, infusing Cuban/Brazilian rhythms and top-notch musicianship. The title track features his bluesy voice, unusual chords, and Sebastian Notini’s skilled percussion. Backing vocals by Paris Renita and others add a Leonard Cohen-like polish. Standout tracks like “Sweet Elizabeth” bring zydeco flair, with Driftwood playing multiple instruments, supported by musicians like Staffan Astner. “A Way To Celebrate” shines with thoughtful lyrics and lasting melodies, reminiscent of The Wire’s “Way Down in the Hole.” “Strange How Things Can Turn Around” features Eric Bibb’s 12-string guitar, blending gospel and tight rhythms. Driftwood’s Otis Redding-inspired “Love Must Prevail” and the instrumental “Aliki Moonlight” round out the diverse album. Recorded by Sweden’s Opus 3, this SACD offers superior DSD sound quality, delivering a spacious and relaxing listening experience.

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SACD

Astrud Gilberto – The Astrud Gilberto Album (1965) [Japanese Limited SHM-SACD 2011] [SACD / Verve Records – UCGU-9022]

adminJune 2, 2025June 3, 2025 385 Views

Title: Astrud Gilberto – The Astrud Gilberto Album (1965) [Japanese Limited SHM-SACD 2011]
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

Astrud Gilberto, a Brazilian samba and bossa nova singer and former wife of João Gilberto, emerged as an accidental star when her limited English led to her iconic performance of “The Girl from Ipanema” with Stan Getz and João on the Getz/Gilberto album. Despite her fragile, amateurish vocal style, her debut solo LP, The Astrud Gilberto Album, released in 1965, rivals its predecessor, leveraging her sweet voice and a stellar Brazilian repertoire suited to delicate vocalists. Arranger Marty Paich’s radiant string arrangements, paired with lead instruments like Bud Shank’s flute, João Donato’s piano, and Antonio Carlos Jobim’s guitar, perfectly complement Gilberto’s vocals on tracks like the sentimental “Dindi” and playful “Agua de Beber.” With intelligent musicians playing to her strengths, this splendid album solidifies her role as a key figure in the bossa nova movement.

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1 min read