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TRONDHEIMSOLISTENE – in folk style (2010) [Blu-ray Audio / BDMV / 14 GB / 2L-068-SABD]

adminMay 22, 2025 24 Views

Album title: TrondheimSolistene – In Folk Style
Composer: Edvard Grieg (1843-1907), Emilia Amper (1981-), Gjermund Larsen (1981-)
Performer: TrondheimSolistene; Emilia Amper, nyckelharpa; Gjermund Larsen, fiddle; Øyvind Gimse, artistic director; Geir Inge Lotsberg, leader
Genre: Classical
Label: 2L (Lindberg Lyd)
Location: Selbu Church, Norway
Release date: May 2010
Recording date: September 2009
Original source: Mastering in DXD (352.8kHz/24bit)
Quality: Blu-ray Audio
Duration: 00:58:02
Video: MPEG-4 AVC 1000 kbps / 1080i / 29,970 fps / 16:9 / High Profile 4.1
Audio#1: DTS-HD MA 7.1 / 96 kHz / 9015 kbps / 24-bit (DTS Core: 5.1-ES / 48 kHz / 1509 kbps / 24-bit)
Audio#2: DTS-HD MA 5.1 / 192 kHz / 13344 kbps / 24-bit (DTS Core: 6.1 / 48 kHz / 1509 kbps / 24-bit)
Audio#3: LPCM 2.0 / 192 kHz / 9216 kbps / 24-bit
Size: 14 GB

In Nordic Melodies we find Grieg in passionate play with folk songs. The work sparkles with harmonies and expression, developing a whole story from just a few short stanzas. The Holberg Suite, loved for its beauty and feared for its challenges, is a fusion of European musical tradition and a genuine Norwegian sound palette. The Trondheim Soloists follow up with two brilliant soloists, Emilia Amper on nyckelharpa and Gjermund Larsen on fiddle, in newly commissioned music characterized by the same energy and tenderness. Wild nature and Nordic light are essential elements of the folk style. This lies at the core of the Trondheim Soloist’s soul, a meeting between the musical playfulness and passion.

The Trondheim Soloists are regarded one of the top chamber orchestras in the world. Their DIVERTIMENTI was also nominated for the 51st GRAMMY Awards as “Best Small Ensemble”, “Best Engineered Album” and “Best Surround Sound Album” in 2008. Now IN FOLK STYLE sets a new standard for the performance of Edvard Grieg’s “Suite From Holberg’s Time” with the intense musical details revealed in this most spectacular surround sound recording ever made.

2l.no – 2L-068-SABD

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2 min read

Blu-ray Audio

Annar Follesø, Norwegian Radio Orchestra; Ole Kristian Ruud – Ole Bull: Violin Concertos (2010) [Blu-ray Audio / BDMV / 16.3 GB / 2L-067-SABD]

adminMay 22, 2025 44 Views

Album title: OLE BULL – Violin Concertos
Composer: Ole Bull (1810-1880)
Performer: Annar Follesø, violin; Norwegian Radio Orchestra; Ole Kristian Ruud, conductor
Genre: Classical
Label: 2L (Lindberg Lyd)
Location: Jar Church, Norway
Release date: March 2010
Recording date: June 2009
Original source: Mastering in DXD (352.8kHz/24bit)
Quality: Blu-ray Audio
Duration: 1:10:04
Video: MPEG-4 AVC 1000 kbps / 1080i / 29,970 fps / 16:9 / High Profile 4.1
Audio#1: DTS-HD MA 7.1 / 96 kHz / 8323 kbps / 24-bit (DTS Core: 5.1-ES / 48 kHz / 1509 kbps / 24-bit)
Audio#2: DTS-HD MA 5.1 / 192 kHz / 12842 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Audio#3: LPCM 2.0 / 192 kHz / 9216 kbps / 24-bit
Size: 16,3 GB

Ole Bull (1810-1880) was an adventurer, violin virtuoso, composer and international star who brought the name of Norway to worldwide attention. Within music and drama he was a pioneer in the development of a national identity, and on the concert stage his fabulous playing skills and intense charisma early won him the sobriquet “the Scandinavian Paganini”.

Some of his most attractive tunes, as well as the rural potpourri Et Sæterbesøghave remained part of Norway’s cultural heritage; on this recording they can be heard alongside his two virtuosic violin concertos and the fiery Spanish fantasiaLa Verbena de San Juan. The concertos and the fantasia were rediscovered only a few years ago, and this is the first recording ever made of these attractive works. The A major Concerto was written in Italy in 1834 and boasts everything one could ever dream of when it comes to attractive tunes and giddy virtuosity. No. 2, Concerto Fantastico, lives indisputably up to its name and confirms what Franz Liszt wrote in 1840: “He is a sort of savage’s genius, possessing an abundance of original, enchanting ideas. In brief, he has moved me; it is a long time since that has happened to me.”

2l.no – 2L-067-SABD

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2 min read

SACD

Andrea Bocelli, London Symphony Orchestra, Lorin Maazel – Sentimento (2002) [SACD / Philips Classics – 470 620-2]

adminMay 21, 2025 45 Views

Title: Andrea Bocelli, London Symphony Orchestra, Lorin Maazel – Sentimento (2002)
Genre: Classical
Format: MCH SACD ISO + DSF DSD64 + Hi-Res FLAC

Though Andrea Bocelli kicks off SENTIMENTO with a 20th Century piece, the stately setting of Rodrigo’s “En Aranjuez con tu amor,” the balance of the album wisely focuses on one of the renowned vocalist’s greatest strengths, the Romantic period, as Rodrigo quickly gives way to the more sprightly feel of Leoncavallo’s “Mattinata.” After moving arrestingly through similar fare, Bocelli bookends things nicely by closing with a pair of canzonas from Tosti; the passionate, poignant “‘A vucchella” and the quietly elegant “Vorrei morire,” followed immediately by Donaudy’s “Vaghissima sembianza,” which ends things on a fulsome, appropriately romantic (with a small “r”) note. Throughout SENTIMENTO, the sympathetic accompaniment of the London Symphony Orchestra, masterfully conducted by Lorin Maazel, provides the perfect instrumental setting for Bocelli’s evocative voice.

hraudio | allmusic | discogs

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1 min read

SACD

Andrea Bocelli – Andrea (2004) [Special Edition] [SACD / Philips Classics – 9867972 ]

adminMay 21, 2025 32 Views

Title: Andrea Bocelli – Andrea (2004) [Special Edition]
Genre: Classical, Vocal
Format: MCH SACD ISO + DSF DSD64 + Hi-Res FLAC

Andrea (2004), Andrea Bocelli’s tenth studio album and fifth pop release, topped the Dutch Albums Top 100, charted for 33 weeks, and earned gold certification. As the world’s leading crossover artist, Bocelli balances classical and pop audiences with skillful artistry. The album reflects a more hands-on approach by Bocelli in its conception and production. “Sin Tu Amor” blends his voice with the Gipsy Kings’ Iberian folk-pop, creating a rich fusion. “Where Love Goes,” a duet with 11-year-old Holly Stell from The Lazarus Child, exudes liturgical grace. “Tu Ci Sei” echoes the romanticism of “Con Te Partirò,” maintaining Bocelli’s signature style. The single “Dell’Amore Non Si Sa,” arranged by Mauro Malavasi (Romanza, Sogno), is a dramatic showcase of Bocelli’s vocal power. The SACD format enhances the album’s lush orchestrations and Bocelli’s emotive delivery. Bocelli’s taste and vocal prowess elevate the crossover genre, redeeming its reputation. Andrea expands his international appeal, solidifying his status as a global musical icon.

hraudio | allmusic | discogs

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2 min read

SACD

Anatole Fistoulari, Paris Conservatoire Orchestra – Ballet Music From The Opera (1960) [APO 2017] [SACD / Analogue Productions – CAPC 2400 SA]

adminMay 21, 2025 47 Views

Title: Anatole Fistoulari, Paris Conservatoire Orchestra – Ballet Music From The Opera (1960) [APO 2017]
Genre: Classical
Format: SACD ISO + Hi-Res FLAC

Anatole Fistoulari was always a specialist in the interpretation of ballet music. He was also, a noted conductor of Tchaikovsky and the Russian School, as well as romantic and impressionistic French music. This album, originally released in 1960, features selections from William Tell, Khovantchina, Aida, and Samson and Delilah, performed by the Paris Conservatoire Orchestra conducted by Fistoulari. Recorded by renowned Decca audio master Kenneth Wilkinson, it shares most of that disc’s electrifying sound. Very lively midrange with superbly coherent staging, top rank clarity and deep, powerful and well-defined bass.

hraudio | allmusic | discogs

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1 min read

SACD

Anastasia Lyutova & The Band – Some Like It Jazz (2019) [Japan] [SACD / Venus Records – VHGD-344]

adminMay 21, 2025 65 Views

Title: Anastasia Lyutova & The Band – Some Like It Jazz (2019) [Japan]
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

Young Russian jazz vocalist Anastasia Lyutova and her band of wonderful musicians including Sergey Baulin (tenor sax), Alexey Podymkin (piano), Vladimir Koltsov-Krutov (double bass) and Alexey Bekker (drums), perfom a set of jazz standards.

hraudio | discogs

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1 min read

SACD

Ana Caram – Rio After Dark (1989) [Reissue 2002] [SACD / Chesky Records – SACD241]

adminMay 21, 2025 58 Views

Title: Ana Caram – Rio After Dark (1989) [Reissue 2002]
Genre: Jazz
Format: MCH SACD ISO + Hi-Res FLAC

Ana Caram, a São Paulo-born composer, vocalist, and guitarist, is known for her delicate, vibrato-less soprano and versatile delivery, excelling in both melodic ballads and lively sambas. Her debut U.S. album, Rio After Dark (1989, Chesky Records), evokes the timeless sound of 1962 bossa nova, as if untouched since “Desafinado.” A protégé of Antonio Carlos Jobim, Caram skillfully applies bossa nova styling to contemporary songs like Djavan’s works and Carole King’s “You’ve Got a Friend.” Her slightly off-pitch vocals, typical of seductive Brazilian singers, add charm, complemented by her João Gilberto-inspired guitar rhythms. Caram contributes original tracks like “Renovação” and “Rainbow,” rooted in classic bossa nova. Jobim guests on piano and vocals for “Meditation” and “Anos Dourados,” with his groans captured in Chesky’s meticulous recording. Paquito D’Rivera’s clarinet shines on “O Que Vier Eu Traço,” and his alto sax, echoing Stan Getz, elevates “La Cumbia.” Steve Sacks’ alto flute and subtle percussion by Carlos Alberto de Oliveira and Café enhance the album’s spare, low-key texture. The SACD’s high-fidelity production appeals to purist bossa nova fans, offering a pristine listening experience. Rio After Dark showcases Caram’s artistry, blending tradition with fresh interpretations, making it a standout in the genre.

hraudio | allmusic | discogs

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2 min read

SACD

Ana Caram – Hollywood Rio (2004) [SACD / Chesky Records – SACD284]

adminMay 21, 2025 38 Views

Title: Ana Caram – Hollywood Rio (2004)
Genre: Jazz
Format: MCH SACD ISO + Hi-Res FLAC

A superior Brazilian jazz singer, Ana Caram takes a slight detour on this SACD, stretching her repertoire while mostly still performing in a style influenced by bossa nova. One does not get to hear such songs as “I’m Getting Sentimental Over You,” “Raindrops Keep Falling On My Head,” “Smile,” and “As Time Goes By” in a bossa nova setting that often. Also unusual is that Michel Freidenson plays all of the instruments other than the reeds (which are performed by Lawrence Feldman), and most of his electronic instruments sound real enough not to be an issue. The focus throughout is on Caram’s lovely voice and she excels on this material, showing that it really is not what you sing but how you sing it. Recommended.

hraudio | allmusic | discogs

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1 min read

SACD

Ana Caram – Blue Bossa (2001) [SACD / Chesky Records – SACD226]

adminMay 21, 2025 43 Views

Title: Ana Caram – Blue Bossa (2001)
Genre: Jazz, Bossa Nova
Format: MCH SACD ISO + Hi-Res FLAC

Ana Caram is an excellent singer and guitarist of Brazilian music, but this set lacks any real surprises. She only plays guitar on one song, sticking to singing while being backed by a rhythm section and the saxophones of Paulo Levi. The selections all date from the 1960s (other than her original “Pura Luz”) and Caram is mostly cast in the role of Astrud Gilberto, performing Jobim tunes (including “Desafinado,” “Corcovado,” and “Triste”) and other tunes from the era, including “Blue Bossa,” “Fly Me to the Moon,” and Baden Powell’s “So Por Amor.” The results are pleasant but very predictable, with no real chances being taken nor any fresh light shone on the veteran warhorses.

hraudio | allmusic | discogs

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1 min read

SACD

Anonymous 4 – The Origin of Fire: Music and Visions of Hildegard von Bing (2005) [SACD / Harmonia Mundi – HMU 807327]

adminMay 21, 2025 32 Views

Title: Anonymous 4 – The Origin of Fire: Music and Visions of Hildegard von Bing (2005)
Genre: Classical
Format: MCH SACD ISO + Hi-Res FLAC

Anonymous 4’s The Origin of Fire: Music and Visions of Hildegard von Bingen (2005, Harmonia Mundi) is their final SACD, marking the end of their 18-year career in 2004. Focusing on 12th-century mystic Hildegard of Bingen, the album explores the Pentecostal theme of the “Fiery Spirit” through her emotional chants, including the hymn O ignee spiritus and key antiphons. The program contextualizes Hildegard’s works with hymns and sequences her convent sisters sang daily, enhancing historical authenticity. Unlike their earlier 11,000 Virgins (1997), this collection sets Hildegard’s text-only visions to medieval recitation tones, a novel approach for recorded psalm tones. Anonymous 4’s four female voices—Marsha Genensky, Susan Hellauer, Johanna Maria Rose, and Jacqueline Horner-Kwiatek—deliver pure, resonant performances, though some critique the vibrato-heavy style compared to earlier recordings. The SACD’s high-resolution stereo and surround sound, captured in a resonant church acoustic, amplify the ethereal quality of the monophonic chants. The 64-minute album, with 17 tracks, balances Hildegard’s soaring melodies and the grounding liturgical framework. Detailed liner notes by Susan Hellauer provide scholarly insight into the selections and context. This release, a fitting capstone to Anonymous 4’s legacy, appeals to early music enthusiasts and those drawn to Hildegard’s mystical vision. It stands out for its innovative integration of vision texts and liturgical settings, cementing the group’s impact on medieval music revival.

hraudio | allmusic | discogs

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2 min read