Motörhead: The Wörld Is Ours – Vol.1, Everything Further Than Everyplace Else (2011) [Blu-ray Video / BDMV / 35.43 GB]

Title: Motörhead: The Wörld Is Ours – Vol.1, Everything Further Than Everyplace Else
Release Date: 2011
Genre: Rock

Production/Label: EMI Music
Duration: ~ 200 min.
Quality: Blu-ray
Container: BDMV
Video codec: AVC
Audio codec: DTS, AC-3
Video: MPEG-4 AVC 21999 kbps 1920x1080p / 23,976 fps / 16:9 / High Profile 4.1
Audio #1: English DTS-HD MA 5.1 / 48 kHz / 3094 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)
Audio #2: English Dolby Digital 2.0 / 48 kHz / 192 kbps / DN -4dB
Subtitles (interview): English, French, German
Size: 35,43 GB

In celebration of their 35 years on the road Motörhead is proud to present The Wörld Is Ours Vol 1 – Everything Further Than Everyplace Else, a blistering DVD containing some of the finest moments from the tour, including the entire performance from Chile’s Teatro Caupolican, shot by Banger Films and Sam Dunn (Iron Maiden Flight 666, Rush: Beyond The Lighted Stage). Mixed by the band’s long-time producer Cameron Webb, The Wörld Is Ours Vol 1 is stuffed with the classics Motörfans demand, from ‘Overkill’ to ‘Ace Of Spades’ to ‘Killed By Death’ as well as some old gems like ‘Over The Top’ and new favorites such as ‘I Know How To Die.’ The Wörld Is Ours Vol 1 gives you every click from every pick and kick from the band’s supreme performance in Chile, plus some tasty morsels from New York’s Best Buy Theater and the Manchester Apollo. The Wörld Is Ours Vol 1 is a pure testament to the power, glory and sheer voltage of the finest rock’n’roll played by real legends. Accept NO substitute!

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2 min read

Pink Floyd – Pink Floyd At Pompeii – MCMLXXII (2025) [Blu-ray Video / BDMV / 45.12 GB]

Title: Pink Floyd – Pink Floyd At Pompeii – MCMLXXII
Release Date: 2025
Genre: Rock, Progressive Rock

Production/Label: Legacy Recordings
Duration: 01:02:47 + 01:25:00
Quality: Blu-ray
Container: BDMV
Video codec: H.264
Audio codec: PCM / Dolby TrueHD
Video: MPEG-4 AVC Video / 27370 kbps / 1080p / 23.976 fps / 16:9 / High Profile 4.1
Audio #1: English / LPCM Audio / 2.0 / 96 kHz / 4608 kbps / 24-bit
Audio #2: English / Dolby TrueHD Audio / 5.1 / 96 kHz / 4354 kbps / 16-bit
Audio #3: English / Dolby TrueHD/Atmos Audio / 7.1 / 48 kHz / 4440 kbps / 24-bit
Subtitles: Portuguese, Spanish, Dutch, French, German, Italian, Spanish
Size: 45.12 GB

Pink Floyd at Pompeii – MCMLXXII, the groundbreaking 1972 film directed by Adrian Maben. Digitally re-mastered from the original 35mm footage, with enhanced audio newly mixed by Steven Wilson. Set in the hauntingly beautiful ruins of the ancient Roman Amphitheatre in Pompeii, Italy, this unique film captures Pink Floyd performing an intimate concert with additional rare behind-the-scenes footage of the band beginning work on The Dark Side of the Moon at Abbey Road Studios.

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1 min read

Ewen Carruthers – One Red Shoe (2009) [SACD / Stockfisch Records – SFR 357.4048.2]

Ewen Carruthers - One Red Shoe (2009)

Title: Ewen Carruthers – One Red Shoe (2009)
Genre: Acoustic, Folk
Format: SACD ISO + Hi-Res FLAC

Ewen Carruthers’ One Red Shoe is a warmly anticipated new album that feels like reconnecting with an old friend. Its melodies shimmer like sunlight on autumn leaves, paired with reflective, heartwarming lyrics. The slide guitar adds a captivating touch to the down-to-earth yet soulful songs. Carruthers’ storytelling weaves personal and universal themes, exploring life’s beauty and flaws. His lyrics address human experiences, from love and understanding to natural disasters like Hurricane Katrina. He portrays Katrina as a raging force, yet celebrates the resilience of New Orleans artists creating from debris. The title track references a single red shoe at Ground Zero, symbolizing loss and hope. Carruthers grapples with life’s imperfections, a recurring theme in his work. He suggests that art, like his, sustains us until the world is restored. One Red Shoe is a kaleidoscope of human emotion, delivered with timeless artistry.

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1 min read

Esbjorn Svensson Trio – Tuesday Wonderland (2006) [SACD / ACT – ACT SACD 9806-2]

Esbjorn Svensson Trio - Tuesday Wonderland (2006)

Title: Esbjorn Svensson Trio – Tuesday Wonderland (2006)
Genre: Jazz
Format: MCH SACD ISO + Hi-Res FLAC

Esbjörn Svensson Trio (e.s.t.), a leading European jazz force, released Tuesday Wonderland in the U.S. after its 2006 European debut. The album blends classical, melodic jazz, and electronics, delivering the energy of a pop/rock show. Nominated for Best Jazz Album, it appeals to diverse music lovers. Tuesday Wonderland opens with “Fading Maid Preludium,” a delicate piano line that shifts into a heavy groove with drums and fuzzed bass. The track, paired with “Fading Maid Postludium,” frames the album’s bold, intuitive improvisations. Pianist Esbjörn Svensson channels Keith Jarrett and Ahmad Jamal while incorporating modern influences like Cecil Taylor and rock power-chords. Drummer Magnus Öström shifts effortlessly from subtle brushwork to polyrhythmic complexity, evoking Steve McCall. Bassist Dan Berglund delivers soulful acoustic lines and uses a synthesizer for both delicate and intense effects. Tracks like “Brewery of Beggars” move from lyrical calm to electric intensity, showcasing e.s.t.’s versatility. E.S.T. has evolved into a unique, modern jazz hybrid, balancing freedom with melodic and rhythmic clarity.

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2 min read

Ennio Morricone – The Mission (1986) [2003 Remaster] [SACD / Virgin – SACDV 2402]

Ennio Morricone - The Mission (1986) [2003 Remaster]

Title: Ennio Morricone – The Mission (1986) [2003 Remaster]
Genre: Soundtrack
Format: SACD ISO + Hi-Res FLAC

Ennio Morricone’s Academy Award-nominated score captures the conflict between 18th-century Jesuit missionaries trying to convert the native Indians, and the slavers who want to destroy them. In keeping with the serious subject matter and epic scope of Roland Joffé’s film, the score is by turns grave, lyrical, and tense. Ever inventive, Morricone mixes liturgical chorales, native drumming, and Spanish-influenced guitars, often in the very same track, to capture the drama of the culture clash. His trademark lyricism also comes through, notably in the beautiful themes for “Gabriel’s Oboe” and “The Mission.” Not as over-the-top as his well-known spaghetti Western scores, The Mission shows Morricone at his dramatic best.

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1 min read

Ennio Morricone and Dulce Pontes – Focus (2003) [SACD / Universal – 980 829-3]

Ennio Morricone and Dulce Pontes - Focus (2003)

Title: Ennio Morricone and Dulce Pontes – Focus (2003)
Genre: Jazz
Format: MCH SACD ISO + Hi-Res FLAC

Focus, a 2003 album, features Portuguese singer Dulce Pontes interpreting film composer Ennio Morricone’s cinematic themes. Pontes transforms Morricone’s music into songs in English, Italian, Spanish, and Portuguese with epic grandeur. Her potent yet subtle voice blends gracefully, capturing the nuances and beauty of Morricone’s eccentric style. Standout tracks include the English song “Your Love” from Once Upon a Time in the West and the Brazilian-inflected “Nosso Mar.” Her finest moment is “No Ano Que Vem,” inspired by Jerusalem and set to upbeat music from Maddalena. Focus is a superb achievement in Pontes’ career, matching Morricone’s classical stature. The album showcases her ability to elevate Morricone’s compositions with breathtaking vocal artistry.

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1 min read

Elisa – Lotus (2003) [SACD / Sugar – 3004324]

Elisa - Lotus (2003)

Title: Elisa – Lotus (2003)
Genre: Rock, Pop
Format: MCH SACD ISO + Hi-Res FLAC

Elisa, an Italian singer-songwriter, performs under her mononym and primarily writes in English, blending pop, alternative rock, electronica, and trip hop. Lotus, her fourth studio album released in 2003, combines live acoustic recordings, new songs, re-recorded hits, and covers. Originally planned as a live album, it includes six new tracks, seven reimagined songs from her earlier albums, and three covers. The album opens with a cover of Leonard Cohen’s “Hallelujah” and includes a slowed-down version of The Velvet Underground’s “Femme Fatale.” Re-recorded tracks like “Sleeping in Your Hand” and “Luce (tramonti a nord est)” from her previous albums are presented in acoustic form. Mia Martini’s Italian classic “Almeno tu nell’universo” is also covered. Lotus was recorded live, emphasizing its acoustic, intimate sound. Certified 4x platinum in Italy, it sold over 400,000 copies.

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1 min read

(e.s.t.) Esbjorn Svensson Trio – Viaticum (2005) [SACD / ACT – ACTSACD 9801-2]

(e.s.t.) Esbjorn Svensson Trio - Viaticum (2005)

Title: (e.s.t.) Esbjorn Svensson Trio – Viaticum (2005)
Genre: Jazz
Format: MCH SACD ISO + Hi-Res FLAC

Esbjörn Svensson’s trio (E.S.T.) blends acoustic and electric sounds, creating a distinctive, refined jazz style. Their stable lineup, with Svensson on piano, Dan Berglund on bass, and Magnus Öström on drums, ensures cohesive interplay. Subtle amplified keyboard shades enhance Svensson’s piano, setting E.S.T. apart from louder jazz combos. Viaticum showcases their meditative, surrealistic sound, rooted in a spiritual aesthetic. Tracks like “Tide of Trepidation” echo ECM’s mysterious style with electronic undertones. “In the Tail of Her Eye” conveys heartbreak, while “What Though the Way May Be Long” explores poetic destiny. “The Unstable Table & the Infamous Fable” evokes cinematic tension, and “Eighty Eight Days in My Veins” drives with a 6/8 shuffle. “The Well Wisher” dances lightly in a tango-like style, reminiscent of Keith Jarrett. “A Picture of Doris Travelling with Boris” paints a haunting, nocturnal soundscape. Viaticum appeals to ECM fans, fantasy enthusiasts, and younger listeners, marking a progressive step for E.S.T.

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2 min read

Various Artists – 2L The Nordic Sound – Audiophile Reference Recordings (2009) [SACD / 2L-RR1-SABD]

Various Artists - 2L The Nordic Sound - Audiophile Reference Recordings (2009)

Title: Various Artists – 2L The Nordic Sound – Audiophile Reference Recordings (2009)
Genre: Classical
Format: MCH SACD ISO

2L’s 2-disc set includes materials over which audiophiles could sit & argue for hours, if not longer. Each disc contains the same 19 musical selections taken from their growing, broad selection of recordings ranging from Mozart & Vivaldi to Schoenberg, Carter & beyond. The goal, presumably, is to make an argument for the superiority of surround sound not just for movies, but for music as well. Disc 1 is a hybrid SACD with 3 separate audio tracks: DSD Stereo, DSD 5.1 channel surround, & standard redbook. The 2nd disc is a Blu-ray disc again presenting 3 audio formats: 5.1 channel DTS-HD Master Audio, 5.1 channel 24bit Linear PCM, & 2ch 24bit Linear PCM. Two discs, 19 tracks, & 6 different audio formats to choose from; what’s an audiophile to do? There can be little question that 3 surround options, whether on Blu-ray or SACD, offer a far more pleasing listening experience; the level of detail & realism offered in these formats vastly exceeds the 2ch tracks. But even between the surround options, there are differences. There are some tracks, such as the excerpts from Britten’s “Simple” Symphony & Bartуk’s Sonata for Solo Violin, where the SACD surround track offers a much cleaner, more detailed accounting. However, the sense of truly being in the centre of a live performance of Islandmoen’s Requiem or Haydn’s Op. 76/5, String Quartet that is achieved on the Blu-ray with DTS-HD cannot be improved upon. The decision, then, comes down to the preference of individual listeners. Maybe even more than that, however, is the practicality of using Blu-ray as an audio-only format. Sure, there’s a sharp-looking menu that listeners can use to navigate the disc, but that still seems like a bit of a waste of Blu-ray’s vast storage capacity. DVD-A was a format that was even less popular/accepted than SACD, so it will be interesting to see if Blu-ray Audio catches on.

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2 min read

Otis Redding – Otis Blue (1965) [Analogue Productions 2016] [SACD / Analogue Productions – CAPP 095 SA]

Otis Redding - Otis Blue (1965) [Analogue Productions 2016]

Title: Otis Redding – Otis Blue (1965) [Analogue Productions 2016]
Genre: Soul, Funk
Format: SACD ISO + Hi-Res FLAC

Otis Blue, Otis Redding’s third album, is his first fully realized work, showcasing his bold talent and clear musical direction. Half the album features Redding’s confident takes on diverse songs, including three by his idol Sam Cooke, who died in 1964. Cooke’s “A Change Is Gonna Come” and “Shake” are soul masterpieces, while “Wonderful World” is a rare gem. Redding’s covers of “(I Can’t Get No) Satisfaction” and “My Girl” highlight the Stax/Volt sound. His originals “Respect” and “I’ve Been Loving You Too Long” became iconic, with “Respect” later popularized by Aretha Franklin. A standout cover of B.B. King’s “Rock Me Baby” features Steve Cropper’s dynamic guitar and a strong horn section. Redding’s gritty, powerful vocals make Otis Blue rich and deeply moving. This album is an essential soul listening experience.

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1 min read