Ben Webster – See You At The Fair (1964) [Analogue Productions 2010] [SACD / Analogue Productions – CIPJ 65 SA]

Ben Webster - See You At The Fair (1964) [Analogue Productions 2010]

Title: Ben Webster – See You At The Fair (1964) [Analogue Productions 2010]
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

Ben Webster’s final American recording was one of his greatest. At 55, the tenor saxophonist was still very much in his prime but considered out of style in the U.S. He would soon permanently move to Europe where he was better appreciated. This CD has the nine selections originally included on the LP of the same name, a quartet set with either Hank Jones or Roger Kellaway on piano, bassist Richard Davis, and drummer Osie Johnson. Webster’s tone has rarely sounded more beautiful than on “Someone to Watch Over Me” and “Our Love Is Here to Stay”.

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1 min read

Ben Webster – My Romance (2003) [‘Ampzilla 2000’ Demonstration Reference Disc] [SACD / Top Music International Ltd. – SACD-8020.2]

Ben Webster - My Romance (2003) [‘Ampzilla 2000’ Demonstration Reference Disc]

Title: Ben Webster – My Romance (2003) [‘Ampzilla 2000’ Demonstration Reference Disc]
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

This was quite a surprise, coming from the Asian label specializing in various audiophile CDs and SACDs of more middle-of-the-road material. The two sessions that produced these dozen tracks both were recorded in Copenhagen in 1965, and for most of the tracks – as you can see – Webster’s band was mostly local musicians. Ben Webster was one of many black American jazz men who moved to Europe in the 1960s or later. Denmark and Holland were his main bases of operation. Earlier he had been a mainstay of Norman Granz’ Jazz at the Philharmonic concerts, and had also played with Ellington for a few years. Nobody else achieved quite the rich, warm, soulful and caressing tenor sax sound so distinctively laid down by Ben Webster. And I don’t believe I’ve ever heard it so cleanly and realistically as on this reissue disc. In the booklet remastering engineer Povee Chan lists some of the gear involved, and it’s obvious no effort was spared to transfer these old stereotapes with the very highest fidelity humanly possible. The European players are right up to American standards in playing proficiency. This is great stuff. The CD layer doesn’t sound seriously compromised either. – Audiophile Audition Review by John Henry

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2 min read

Ben Webster Meets Oscar Peterson (1959) [APO Remaster 2011] [SACD / Analogue Productions – CVRJ 6114 SA]

Ben Webster Meets Oscar Peterson (1959) [APO Remaster 2011]

Title: Ben Webster Meets Oscar Peterson (1959) [APO Remaster 2011]
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

Saxophonist Ben Webster is joined by legendary jazz pianist Oscar Peterson. Webster, known for his association with Duke Ellington’s Jazz Orchestra playing lead tenor, frequently played with Peterson in the 1950s and are joined here by some of the best jazz musicians of the time. Ben Webster Meets Oscar Peterson was originally released in 1959, and this studio album is a compilation of seven great jazz tracks, including “How Deep is the Ocean”, “In the Wee Small Hours of the Morning”, and “Bye, Bye, Blackbird”.

Another fine Webster release on Verve that sees the tenor great once again backed by the deluxe Oscar Peterson Trio. In keeping with the high standard of their Soulville collaboration of two years prior, Webster and the trio – Peterson is joined by bassist Ray Brown and drummer Ed Thigpen – use this 1959 date to conduct a clinic in ballad playing. And while Soulville certainly ranks as one of the tenor saxophonist’s best discs, the Ben Webster Meets Oscar Peterson set gets even higher marks for its almost transcendent marriage of after-hours elegance and effortless mid-tempo swing – none of Webster’s boogie-woogie piano work to break up the mood here. Besides reinvigorating such lithe strollers as “Bye Bye Blackbird” (nice bass work by Brown here) and “This Can’t Be Love,” Webster and company achieve classic status for their interpretation of the Sinatra gem “In the Wee Small Hours of the Morning.” And to reassure Peterson fans worried about scant solo time for their hero, the pianist lays down a healthy number of extended runs, unobtrusively shadowing Webster’s vaporous tone and supple phrasing along the way. Not only a definite first-disc choice for Webster newcomers, but one of the jazz legend’s all-time great records.

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2 min read

Oscar Peterson – Travelin’ On (1968) [Reissue 2003] [SACD / MPS Records – 06024 9811305]

Oscar Peterson - Travelin' On (1968) [Reissue 2003]

Title: Oscar Peterson – Travelin’ On (1968) [Reissue 2003]
Genre: Jazz
Format: SACD ISO

Travelin’ On captures a memorable Oscar Peterson Trio concert recorded in Hans Georg Brunner-Schwer’s studio. Featuring bassist Sam Jones and drummer Bobby Durham, Peterson passionately performs the gospel classic “Travelin’ On.” The trio delivers a stunning ten-minute rendition of Johnny Mandel’s ballad “Emily,” retaining its emotional depth. Durham’s soft percussion sets up Antonio Carlos Jobim’s “Corcovado,” which Peterson dominates with virtuosic technique. Francy Boland’s “Sax No End,” a recent composition, is reimagined by Peterson’s uptempo, big-band-like interpretation. Jones’ agile bass and Durham’s steady drums enhance the track. Peterson’s extended take on Benny Carter’s “When Lights Are Low” feels refreshingly new. Part of the Exclusively for My Friends series, Travelin’ On is highly recommended.

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1 min read

Oscar Peterson Trio – We Get Requests (1964) [Analogue Productions 2011] [SACD / Analogue Productions – CVRJ 8606 SA]

Oscar Peterson Trio - We Get Requests (1964) [Analogue Productions 2011]

Title: Oscar Peterson Trio – We Get Requests (1964) [Analogue Productions 2011]
Genre: Jazz
Format: MCH SACD ISO + Hi-Res FLAC

Pianist Oscar Peterson has long been such a consistent performer that none of his records are throwaways, but this particular set is weaker than most. Since several of the songs are the type that in the mid-’60s would get requested (such as “People,” “The Girl from Ipanema,” and “The Days of Wine and Roses”), the program would not seem to have much potential, but Peterson mostly uplifts the material (although not much could be done with “People”) and adds a few songs (such as his own “Goodbye, J.D.” and John Lewis’ “D & E”). Overall, this is a reasonably enjoyable Oscar Peterson session, featuring bassist Ray Brown and drummer Ed Thigpen.

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1 min read

Oscar Peterson – The Way I Really Play (1968) [Reissue 2003] [SACD / MPS Records – 06024 9811295]

Oscar Peterson - The Way I Really Play (1968) [Reissue 2003]

Title: Oscar Peterson – The Way I Really Play (1968) [Reissue 2003]
Genre: Jazz
Format: SACD ISO

The third volume of Oscar Peterson’s Exclusively for My Friends series, all recorded with an invited audience in the warm studio of producer Hans Georg Brunner-Schwer, features live trio sessions with bassist Sam Jones and drummer Bobby Durham. The program opens with an unusual medley of Ray Brown’s “Waltzing Is Hip” (played with gusto) and a gently swinging “Satin Doll.” The influence of Art Tatum is apparent during his intricate runs within “Love Is Here to Stay,” while the multifaceted original “Sandy’s Blues” (dedicated to his wife) combines a dark mood with a swinging setting. The lighthearted waltzing treatment of “Alice in Wonderland” is pure joy, while another original, “Noreen’s Nocturne,” is simply a showstopper.

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1 min read

Oscar Peterson, Stephane Grappelli – Skol (1982) [Reissue 2004] [SACD / Pablo Records – 2308-232-6]

Oscar Peterson, Stephane Grappelli - Skol (1982) [Reissue 2004]

Title: Oscar Peterson, Stephane Grappelli – Skol (1982) [Reissue 2004]
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

Skol is a standout cooperative jazz album recorded live at Copenhagen’s Tivoli Gardens. Oscar Peterson, Stephane Grappelli, Joe Pass, Niels-Henning Ørsted Pedersen, and Mickey Roker performed with swinging camaraderie. The quintet, featuring Danish, American, French, and Canadian musicians, spoke the universal language of jazz. Peterson on piano and Grappelli on violin led with creativity, backed by Pass on guitar, Pedersen on bass, and Roker on drums. The setlist included five standards like “Nuages,” evoking Grappelli’s 1930s Hot Club of France Quintet. Grappelli’s extended solos and Peterson’s restrained yet intense playing shone brightly. Pass and Pedersen delivered exceptional performances, while Roker provided perfect timing. The album features previously unreleased tracks like “Honeysuckle Rose,” “Solitude,” and “I Got Rhythm.” A spontaneous closing blues, named “Skol,” highlighted tradeoffs between Peterson and Grappelli. Norman Granz produced this session, prioritizing musical fellowship over stardom.

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1 min read

Oscar Peterson, Ray Brown, Milt Jackson – The Very Tall Band: Live at the Blue Note (1999) [SACD / Telarc Jazz – 83443-SA]

Oscar Peterson, Ray Brown, Milt Jackson - The Very Tall Band: Live at the Blue Note (1999)

Title: Oscar Peterson, Ray Brown, Milt Jackson – The Very Tall Band: Live at the Blue Note (1999)
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

Oscar Peterson’s landmark meeting with Milt Jackson in the mid-’60s produced the very successful studio date Very Tall. They’ve played and recorded together on a number of occasions since then, joined by Ray Brown more often than not, but these live tracks recorded at the Blue Note are among their most satisfying sessions. Peterson continues his strong comeback from the serious stroke that he suffered in 1993, replacing his once ferocious tempos with an uncanny lyricism. Brown’s introduction to “Blues for JR” and his bass solo medley are superb, while Jackson remains a master of the blues. The finale of “Caravan” features drummer Karriem Riggins and brings the session to a thunderous climax. Highly recommended.

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1 min read

Oscar Peterson, Michel Legrand – Trail Of Dreams: A Canadian Suite (2000) [Reissue 2003] [SACD / Telarc Surround – SACD-63500]

Oscar Peterson, Michel Legrand - Trail Of Dreams: A Canadian Suite (2000) [Reissue 2003]

Title: Oscar Peterson, Michel Legrand – Trail Of Dreams: A Canadian Suite (2000) [Reissue 2003]
Genre: Jazz
Format: MCH SACD ISO + DSF DSD64 + Hi-Res FLAC

Trail of Dreams: A Canadian Suite is a 2000 studio album by Oscar Peterson, dedicated to his native Canada. Unlike his typical work, it avoids jazz standards and bop, blending jazz with pop, classical, and symphonic elements. Recorded in April 2000, it features Peterson with a 24-piece string orchestra conducted by Michel Legrand. Legrand, known for composing classics, serves only as conductor and arranger here. Peterson wrote all the compositions, inspired by Canadian locales from Quebec to British Columbia. The music aims to create an aural portrait of Canada. While Peterson’s solos are limited, he delivers some notable improvisations. The album is not a hardcore bop project and shouldn’t be judged as such. It may not appeal to bop purists but suits open-minded listeners. Trail of Dreams is an interesting, though imperfect, departure for Peterson.

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1 min read

Oscar Peterson – Girl Talk (1968) [Japanese Limited SHM-SACD 2011] [SACD / MPS Records – UCGU-9036]

Oscar Peterson - Girl Talk (1968) [Japanese Limited SHM-SACD 2011]

Title: Oscar Peterson – Girl Talk (1968) [Japanese Limited SHM-SACD 2011]
Genre: Jazz
Format: SACD ISO

One of a number of memorable albums recorded by Oscar Peterson for MPS during the mid-’60s, Girl Talk was compiled from several live studio sessions taped between 1964 and 1966, with bassist Sam Jones and either Bobby Durham or Louis Hayes on drums. Peterson’s romping right hand helps this normally bland show tune. The pianist’s imaginative unaccompanied introduction to “I’m in the Mood for Love” adds a new dimension to this old chestnut, with the rhythm section making a belated entrance; it is rather unusual to hear the trio play on just one song for 17 minutes. The title track, an overlooked gem jointly written by Bobby Troup and Neal Hefti, finds the leader in a bluesy mood. The relaxed but jaunty treatment of “Robbin’s Nest” follows a powerful medley of “I Concentrate on You” and “Moon River” to wrap up this highly recommended session.

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1 min read