Claire Martin & Richard Rodney Bennett – Witchcraft (2011) [SACD / Linn Records – AKD 359]

Claire Martin & Richard Rodney Bennett - Witchcraft (2011)

Title: Claire Martin & Richard Rodney Bennett – Witchcraft (2011)
Genre: Jazz
Format: MCH SACD ISO + DSF DSD64 + Hi-Res FLAC

Since their first meeting in Glasgow in the early 1990s, singer Claire Martin and composer/pianist Richard Rodney Bennett have been what Martin calls ‘firm friends’, their relationship cemented by a common interest in the subtleties of songwriting and jazz singing. Witchcraft is the result of their dynamic collaboration. On this album, they perform as a (delightfully informal but consistently musicianly) duo, her intimate, deceptively unfussy vocal style perfectly complemented by his flawlessly eloquent piano. Their material is all mined from the Cy Coleman songbook. Together, this collection weaves together the opposing talents of the sultry jazz sensation Claire Martin and the polished, savvy keyboard skills and compositional insight of Richard Rodney Bennett. Martin’s strength as one of the best interpreters of the Great American Songbook shines through in this recording. The smoky elegance of her vocal sculpts itself around the smooth flowing textures of the piano accompaniment and the occasional vocal repartee of Bennett. The result of this established partnership is mesmerising music that takes you back to a wonderful and simpler time of yesteryear.

It’s hard to believe that it was almost six years ago that they first got together. It seemed so unlikely at the time, this song-and-piano partnership between a notably feisty jazz vocalist and an esteemed composer. But now it’s accepted that their albums and shows set the standard for classic interpretations of popular songs. This time the work of Cy Coleman gets the treatment – touching, clever, beautifully poised and deceptively casual-sounding. Despite the huge success of songs such as the title number, Coleman’s name is the least well‑known of the great songwriters. This classy selection should help to put that right.

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2 min read

Claire Martin and Richard Rodney Bennett – When Lights Are Low (2005) [SACD / Linn Records – AKD 260]

Claire Martin and Richard Rodney Bennett - When Lights Are Low (2005)

Title: Claire Martin and Richard Rodney Bennett – When Lights Are Low (2005)
Genre: Jazz
Format: MCH SACD ISO + Hi-Res FLAC

Following their two previous duo albums, ‘When Lights Are Low’ and ‘Witchcraft’, ‘Say It Isn’t So’ presents a final third chapter in the remarkable musical partnership of Claire Martin and the late Richard Rodney Bennett.

One of the most delightful collaborations in vocal jazz, that of Britain’s pre-eminent female vocalist Claire Martin and chameleonic British composer-arranger-pianist-sometime-vocalist Richard Rodney Bennett, ended with Bennett’s death last December at age 76. A year and a half prior, Martin and Bennett had played to SRO crowds at the Algonquin’s now-dismantled Oak Room, saluting Irving Berlin with a show titled ‘A Couple of Swells’. Two months later, the pair laid down 14 Berlin tunes for what would turn out to be their third and final shared disc. As always, Bennett’s lilting arrangements and refined accompaniment are perfectly tailored to Martin’s smoky warmth. As always, her subtle imagination is enchanting, particularly on a breezy Love, You Didn’t Do Right By Me and an inspired blending of Get Thee Behind Me Satan with I Got Lost in His Arms. As a balladeer Martin remains nonpareil, her bruised Better Luck Next Time and What’ll I do flawlessly rendered. Bennett’s rumbling, gravel-pitted talk-sing still captivates as he travels alone across four tracks, mirroring Fred Astaire’s suavity on Change Partners and jauntily navigating He Ain’t Got Rhythm. In their nightclub act, as on previous albums, Martin and Bennett often sang duets. Here they team just once, waiting until the final track to cosily share Waiting at the End of the Road, an ode to heaven-bound fulfilment that proves a fitting finale for their divine union.

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2 min read