Seiji Ozawa, Boston Symphony Orchestra – Ravel: Orchestral Works (1974) [Reissue 2004] [SACD / PentaTone – PTC 5186 204]
![Seiji Ozawa, Boston Symphony Orchestra - Ravel: Orchestral Works (1974) [Reissue 2004]](https://imghd.xyz/images/2022/08/08/kWkp6He.jpg "Seiji Ozawa, Boston Symphony Orchestra - Ravel: Orchestral Works (1974) [Reissue 2004]")
Title: Seiji Ozawa, Boston Symphony Orchestra – Ravel: Orchestral Works (1974) [Reissue 2004]
Genre: Classical
Format: MCH SACD ISO + Hi-Res FLAC
Every orchestra has a characteristic sound & personality that identifies them through the ages, & in the case of the Boston Symphony Orchestra it is their contoured string & wind elegance, panache & suavity that marks them out as the premier Francophone American orchestra. With Seiji Ozawa at the helm, a conductor much identified with French repertoire, these Quad recordings of Maurice Ravel, accomplished during his long tenure as music director, are afforded the sonic treatment they deserve & are now able to receive given the latest SACD technology employed by Pentatone enabling the release of the full spectrum of sound captured by a previous eras sound engineers.
For classical connoisseurs, multichannel recording is state-of-the-art reproduction, and they regularly seek out the finest recordings in the super audio format. Among those discs are some important discoveries from the past, including rare quadraphonic recordings from the 1970s that are being remastered for the new technology. Seiji Ozawa and the Boston Symphony Orchestra made these quadraphonic recordings of orchestral works by Maurice Ravel in 1974, and they were remastered in 2014 by PentaTone as part of an ongoing project to preserve these early experiments in multichannel sound. Ozawa had a magical touch with Ravel, and his performances with the BSO of Le tombeau de Couperin, Menuet antique, Ma mère l’oye, Valses nobles et sentimentales, and Une barque sur l’océan are among the most transparent interpretations of the period. What quadraphonic recording added were exceptional depth, crisp details, and ideal separation of the parts, so the brilliant solo and sectional writing in Ravel’s scores stood out with the clarity and presence of chamber music. This hybrid SACD can be played on SACD players and conventional CD equipment with stereo playback, but even with that limitation, the spatial dimensions of the orchestra come across with astonishing verisimilitude. Highly recommended as a sonic showcase of the highest quality.
